ALSO, long time no see, but I've been quiet because I've been WRITING. Stay tuned for Kirk & Spock bonding in their shared bathroom.

Set in a place that is probably not Earth, or Earth at a very different time, where kaiju rise up out of the ocean during the wet season and head for land. In the Empire, the Engineers maintain the sea walls that keep the leviathans out; the Legion fight them back; the Apothetikals develop organic means to alter the plants and animals—and people—that make it possible to survive in this hostile land, and the Iudex investigate the crimes. The wet season's coming and Dinios Kol, Imperial engraver and (apprentice) assistant investigator, has been sent to the scene of a ghastly murder to engrave it in his memory and report back to his master, the reclusive and eccentric (and possibly autistic) Anagosa Dolabra.

This is a plot-driven mystery, more focused on the details of the investigation than the development of the characters, and for me that made it feel a little empty. The ad copy wants you to believe Din and Ana have a Watson and Holmes thing going on, but that is barely the case. The characters are mostly a means to an end, a collection of characteristics rather than actual people, and this includes our first person narrator, Din. He's a nervous little (queer) guy, basically, only tall, did he mention he's tall?? He's tall, gang. And dyslexic. I liked him well enough, but I never felt like I really knew what he was about.

The book has a fantasy science-fiction vibe, and a bunch of new guys, like whenever RJB needed to explain a crime he just invented a new type of guy. It was starting to feel a little silly. Like, "Oh, didn't you know about this type of guy? It's the only way this mystery makes sense!" I don't think the mystery is the kind that can be solved just by paying attention, rather it's the kind with an extensive drawing room scene near the end that explains it all.

And I guess I've been reading exactly the right amount of Adrian Tchaikovsky because I kept wondering what was up with the leviathans, like what's their deal? Has anybody bothered to ask why they want to come on land? Maybe it's part of their life cycle, maybe there's something there they need—but this is not that book. It's a fantasy murder mystery set in the middle of a seasonal kaiju attack that must be stopped, and that's fine, it's just one more way the story lacked depth. But the mystery and the world building were enough to keep me engaged, and I'm curious to see what happens next so I've already checked the sequel out from the library.

Contains: body horror; a lot of blood; fear of contagion; sword violence.