firecat: red panda, winking (Default)
firecat (attention machine in need of calibration) ([personal profile] firecat) wrote2026-04-11 05:58 am

Look, the outsiders have discovered fanfic again

This is an ~30-minute episode of a Vox podcast called “Today Explained.” There is a transcript.

”How fan fiction went mainstream: The community that underpins Heated Rivalry, explained” by Danielle Hewitt and Noel King

It’s a pretty good intro to fanfic and how it’s become something publishers and creators of TV/movies pay attention to. They interview Francesca Kappa, a co-founder of the Organization for Transformative Works, which created AO3.

Things I learned and some bits I liked:
  • AO3 was created in part to prevent commodification of fanfiction and the social connections it facilitates.
  • “one of the projects that I worked on in the early days of the OTW organization for transformative works was that we were being contacted by women in their 70s and 80s who were like having to move in with their kids or going into nursing homes and they had like 3,000 fan fiction zines.”
  • It was claimed that AO3 is “much bigger than Wikipedia.” I’m not sure what metrics they’re using to come up with that.
  • [AO3 is] “structurally unenshittifiable” because “we don’t have customers and we’re not a business.”
  • (Discussing copyright) “it would have been terrible if Shakespeare had to, like, negotiate with Netflix for the right to Hamlet and then didn't get it. Like, that's the world we live in, right? We're like, Netflix owns Hamlet, it has a five-year option, Shakespeare really has a great idea for it, but like, no, I'm really sorry because JJ. Abrams is going to do Hamlet.”
    (I need to know which circle of Hell shows JJ Abrams’s Hamlet on repeat, because I really want to avoid it.)

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