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Posted by Stephen Clark

Welcome to Edition 8.43 of the Rocket Report! A disclaimer: No one yet fully appreciates the ramifications of Blue Origin's New Glenn rocket explosion Thursday night on its launch pad at Cape Canaveral, Florida. What we know as of this writing is that much of Blue's sole orbital-class launch pad has been destroyed, and the New Glenn rocket will be grounded for an extended period of time. It is too soon for any hot takes, at least until the Sun rises at the Cape on Friday morning. One thing I am sure of is that we will be writing about this event for weeks, months, and years to come.

As always, we welcome reader submissions. If you don't want to miss an issue, please subscribe using the box below (the form will not appear on AMP-enabled versions of the site). Each report will include information on small-, medium-, and heavy-lift rockets, as well as a quick look ahead at the next three launches on the calendar.

Charting China's contribution to space junk. There's a problem with the drastic uptick in Chinese space launches over the last decade. China appears to be ignoring long-established norms about disposing of the upper stages of rockets, Ars reports. These are the parts of the vehicle that separate from the first stage of a rocket and push a satellite or spacecraft into orbit. In the early decades of spaceflight, launch operators routinely left upper stages in orbit after they released their payloads. But most launch companies today reserve enough propellant in their rockets to remove them from orbit to avoid the risk of spent upper stages becoming a source of space debris. But China is not following this trend. There has been striking growth in China’s rocket body mass. In the past five years, the mass of Chinese rocket bodies in long-lived orbits has risen from less than 100 metric tons to 252, according to a new analysis by Space Domain Awareness expert Jim Shell.

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Posted by Eric Berger

Thursday night's detonation of Blue Origin's New Glenn rocket during a static-fire test produced a spectacular fireball over Florida, sending shards of the rocket flying far and wide, into the sea and across the coastal scrubland nearby.

With sunrise on Friday teams from Blue Origin, the US Space Force, and NASA will be able to begin more thoroughly assessing the damage to Blue Origin's facilities, and begin picking up pieces of the rocket.

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Minnesota Zoo.....

29 May 2026 09:24 am
disneydream06: (Disney Dog Little Mermaid)
[personal profile] disneydream06
Today we'll stroll through the Minnesota Trail...

Masked Bandit...
IMG_6708
Bring on the Critters... )

friday

29 May 2026 08:25 am
summersgate: (Default)
[personal profile] summersgate
Noah's mom passed away yesterday.

I finished watching Somebody Somewhere this morning. I think I will start watching it all over again. I don't want to let go of the characters yet.

IMG_20260528_130432620.jpg
The spiderlings are still in the same spot as 2 days ago. Yesterday they separated into 2 clusters about an inch from each other.

IMG_20260529_084805413.jpg
This morning they spread out and are evenly distributed over an area of about 6 inches. What are they waiting for? When will they disperse, eat something or grow any bigger? It's a mystery that needs watching.

DSC_0951.jpg
This morning: Spring Hills. Possibly the worst art-a-day I've ever done. I'm going to paint white over it now. Maybe it'll be back later in an improved form.

Yesterday Dave and I went with Jules to a lawyer to see about putting the house next door into his name, and getting our will written up. Things are progressing.

Jan and I are hiking today, not sure where yet.

PLOOF! /Too Much Information

29 May 2026 01:53 pm
smokingboot: (Default)
[personal profile] smokingboot
I mean it, beware!

It's about certain swimsuits.

Too Much Information )
[syndicated profile] arstechnica_feed

Posted by Emily Mullin

As the world struggles to contain the rapidly growing Ebola outbreak in the Democratic Republic of the Congo’s Ituri Province, a vital network of research centers has been unable to help on the ground. The reason: The Trump administration slashed its funding last year, in part due to conspiracy theories about the origins of COVID-19.

Established in 2020 by the National Institutes of Health, the Centers for Research in Emerging Infectious Diseases (CREID) Network was conducting research into viruses that emerge from wildlife and spill over to people, including the family of viruses that Ebola belongs to. The network operated 10 sites around the world where these types of disease outbreaks are likely to occur, including in Central and East Africa. (The network was also researching hantavirus, a disease that saw a recent rare outbreak on a cruise ship.)

NIH provided CREID with approximately $82 million in funding over five years, and its funding was up for renewal in 2025. But last June, the centers received a stop-work order stating that their research had been deemed “unsafe for Americans and not a good use of taxpayer funding,” and that the agency’s priorities no longer supported the network.

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Multi-Fandom icons

29 May 2026 10:57 pm
magnavox_23: Ed wearing regular clothes with flowers behind him (OFMD_Ed_beingaregulardude)
[personal profile] magnavox_23 posting in [community profile] icons
86 fandom icons including: Project Hail Mary, Artemis II, Stargate SG-1, The Mandalorian, Good Omens *spoilers*, Deadloch, Our Flag Means Death, Doctor Who, My Life Is Murder, Starsky & Hutch, Hazbin Hotel, Hellava Boss, Sherlock, MacGyver, Bob's Burgers, Brandon Rogers, Ryan Gosling, Richard Dean Anderson, Pedro Pascal, Stephen Colbert, Dan Shea, Paulina Alexis, Jodie Whittaker, Lucy Lawless, Zahn McClarnon...

  

Check out the rest here. <3

Multi-Fandom icons

29 May 2026 10:56 pm
magnavox_23: Ed wearing regular clothes with flowers behind him (OFMD_Ed_beingaregulardude)
[personal profile] magnavox_23 posting in [community profile] iconic
86 fandom icons including: Project Hail Mary, Artemis II, Stargate SG-1, The Mandalorian, Good Omens *spoilers*, Deadloch, Our Flag Means Death, Doctor Who, My Life Is Murder, Starsky & Hutch, Hazbin Hotel, Hellava Boss, Sherlock, MacGyver, Bob's Burgers, Brandon Rogers, Ryan Gosling, Richard Dean Anderson, Pedro Pascal, Stephen Colbert, Dan Shea, Paulina Alexis, Jodie Whittaker, Lucy Lawless, Zahn McClarnon...

  

Check out the rest here. <3
pauraque: drawing of a wolf reading a book with a coffee cup (customer service wolf)
[personal profile] pauraque
I don't think I've actually read this particular essay collection before, but I've read a lot of what's in it, scattered in various places. The fact that Le Guin's nonfiction was scattered in various places is exactly what this book aimed to counteract, bringing together things she wrote throughout the 1970s for journals and for reprints of her own early work, as well as a few transcripts of speeches.

The pieces were compiled and arranged by Susan Wood, who sadly passed away not long after the book was completed. Wood wrote a general introduction to the book as well as introductions to each section, describing where the material came from and why it's significant. It's nice to hear from an editor about their decisionmaking, but it honestly starts to feel like a lot of introductions, bordering on absurdity when you have an introduction to a section that consists of several of Le Guin's own introductions. (This 2024 edition also has a new introduction by Ken Liu. Sure, pile 'em on! The word "introduction" has lost all meaning!)

Anyway, the text is from the 1989 edition, in which Le Guin revised some of the pieces. (She explains this in an introd— sorry, a preface.) She says the biggest change is that she fixed all the places where she used "he" as a generic pronoun, having finally seen the light after many years of arguing that it wasn't sexist. She also added some footnotes correcting factual errors and pointing out other things she'd reconsidered, most extensively in her 1976 essay "Is Gender Necessary?" which she had come to find very embarrassing.

cut for rambling length )

Multi-Fandom icons

29 May 2026 10:38 pm
magnavox_23: Ed wearing regular clothes with flowers behind him (OFMD_Ed_beingaregulardude)
[personal profile] magnavox_23 posting in [community profile] fandom_icons
86 fandom icons including: Project Hail Mary, Artemis II, Stargate SG-1, The Mandalorian, Good Omens *spoilers*, Deadloch, Our Flag Means Death, Doctor Who, My Life Is Murder, Starsky & Hutch, Hazbin Hotel, Hellava Boss, Sherlock, MacGyver, Bob's Burgers, Brandon Rogers, Ryan Gosling, Richard Dean Anderson, Pedro Pascal, Stephen Colbert, Dan Shea, Paulina Alexis, Jodie Whittaker, Lucy Lawless, Zahn McClarnon...

  

Check out the rest here. <3

on my way home

29 May 2026 05:16 am
calimac: (Default)
[personal profile] calimac
Having spent Wednesday morning of my LA trip doing library research at UCLA, I was able to get as far on my drive home as Pismo Beach to stay overnight. ("What's in Pismo Beach?" asked my LA hosts, wondering why I was going there. "Hotels," I replied.)

That gave me enough time on Thursday to do something I'd only done once before: drive along the narrow and twisty coast road, the Big Sur highway. This is often closed for extended periods because of landslides or storm damage, but it's open now. Lots of lovely scenery, visible through the intermittently intense rain that fell that day, and the number of stretches of road covered in loose rocks that had fallen from the cliffs above were notable. I stopped at Willow Creek, where you can drive down below the bridge to the tiny stone beach where the creek hits the water. Despite the dicey weather, lots of surfers plying their trade out on the waves. Also, much further north in Big Sur, the Henry Miller Memorial Library, which is not a library but a bookstore specializing in literature with moral content. Both Tolkien (The Two Towers and The Return of the King) and Lewis (The Screwtape Letters and A Grief Observed) made appearances, as did Ray Bradbury and Philip K. Dick.

And one more stop. I'd made a reservation to tour Hearst Castle, which I'd also been to only once before, many years ago. Checking their menu of tours, I'd found one designed for the walking-disabled, with no stairs. I am able but very slow on stairs, so that was the one for me. There were only three of us on this tour, guided by a Bryan Cranston type named Phil, who talked very fast and rather quietly. He kept leading us into rooms occupied by a much larger regular tour group (the same one each time), so he'd huddle us into a far corner and talk even faster and more quietly, so I didn't absorb much of what he was saying. I did gather two things: first, that the not particularly devout Hearst was fascinated by collecting medieval Christian iconography; second, that his expectations of what visitors should do and how behave meant I would not have enjoyed a visit here in his time.

B. would find the decorations fascinating, but I'm not taking her here. Opportunities to sit during the tour were few, and the shuttle bus going up to the castle from the visitor center took the winding and twisty road at breakneck speed. Even I was a little nauseous.
reblogarythm: (thursday)
[personal profile] reblogarythm

  1. Star Trek Title Card Generator
    by Epic Randomness
    https://trek.epicrandomness.com/
    in case you need it, here it is
    via Cory Doctorow

  2. Unlocked Repost: Curing U.S. Health Care, Part II
    by Paul Krugman
    https://paulkrugman.substack.com/p/unlocked-repost-curing-us-health-0b3
    confirming for me my suspicions about the reasons behind the lack of universal healthcare in the US
    via rss

  3. They Teach AI Music at Music School Now...
    by Adam Neely
    https://www.youtube.com/watch?v=EfeGc02nzC4
    given that Adam's a Berklee alum, this whole situation must really hit him
    via rss

  4. Seattle Carnivore Spotter
    by Seattle University and the Woodland Park Zoo
    https://carnivorespotter.org/urban-carnivore-spotter/
    give it a moment to load — there're a lot of data!
    via ran prieur

  5. Quaker Peace Testimony
    by Ozy Brennan
    https://thingofthings.substack.com/p/quaker-peace-testimony
    excellent testimony, Ozy. i resonate with much of this
    via rss

  6. the Remedy
    by Puscifer
    https://www.youtube.com/watch?v=HivxFBB87-Y
    squaring liking this song with liking the previous link is complicated?
    via initially, chris g's reaction video
queenslayerbee: Lisa simpson dressed in a multicoloured baggy shirt, with a sideways cap and sunglasses, and a disaffected look on her face. (lisa simpson (the simpsons))
[personal profile] queenslayerbee
After finishing with 2020's fics, I'm taking a bit of a detour back to 2025.

This is a one-shot I wrote for April 27th, aka Jason Todd's Death Day. And, what those few of us in the Jaymia discord server, had fun headcanoning as Mia's Birth Day. The second Robin who died, the second Speedy who lived. Fitting.

As many of my DC fics, it's set in the New Earth continuity, and indulges into briefly touching upon some headcanons I had for the future of that timeline.

Title: observance.
Fandom: DC comics.
Character/Pairing: Jason Todd/Mia Dearden.
Rating/Warnings: M, implied/referenced child abuse.
Summary: It's an eventful day for the Bats in Gotham. Jason, however, has been invited to a birthday party.
Word count: 11.3k.

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-

02:30 A.M.

Gotham’s sewer system is outdated, its pathways a claustrophobe’s worst nightmare, and the stench it emanates so foul it reaches the level of sickening.

One of the biggest reasons behind this failure of public service is the prey Batman chose for the night. The hunt, the pursue, lead him to the bowels of his city –knee-deep in its feces, sealed mask ripped out by a powerful claw, their putrid smell impregnating his senses.

It takes a long, brutal fight. A mutual display of dominance, and a damn close call. Killer Croc is not an enemy anyone should take on alone, fist to fist. His brute strength and his animal drive compensate for every other lack in him, be it astuteness, ingenuity, or any sense of caution.

Earlier that night, Bruce ignored two phone calls from Clark. He hung up on Barbara who, if she were so inclined, could’ve tried to reach him more than just the once. Then, he’d started the chase.

The result remains better than any other man taking on a monster could’ve hoped. Bruised ribs, instead of broken. A nasty laceration on his left thigh, clear from any vital organ or problematic artery. An even nastier concussion, in all likelihood. He has to put the car on autopilot and let it carry him home, as he struggles to regain his breath.

When he reaches the cave, he finds it empty, just as he’s come to expect. He takes care of his own wounds, as he’s done more and more often, now that Damian’s walked out on him. He doesn’t bother to call for Alfred, either; both men know he’d be worse than useless.

He looks at his ruined, stained uniform, unceremoniously dropped on the ground. He should shower, but he knows, from embarrassing experience, how likely he is to faint out of exhaustion, slip, and worsen his injuries. He needs to draw himself a bath, in his bedroom, to wash away the rotten tang he carried home with him.

Descending into the sewers feels like getting one step closer to the decaying core of his city, to the corrupt truth at the heart of it. Befitting, for each laborious breath to poison his lungs with it; for it to stain his skin, like it would his very soul if he allowed it. That’s what Gotham, cruel mistress, does to its people, if they aren’t watchful.

Bruce sighs. He walks up the stairs, and he makes sure not to glance at the memorial case.

 

One week earlier.

“Ah, fuck me.”

The last trap in the obstacle course Jason built for her caught Mia by surprise. She always swore to herself she wouldn’t let it happen again, knowing just how much he liked to add an element of unpredictability whenever he visited her. In her defense, eight new traps had to fit the definition of overkill.

Then again, didn't she know exactly who she was dating?

What counted was that she got out of the trap and finished the course within the time she set for herself. It wasn’t always a guarantee, and even if he’d really made her work for it, and even if every one of her muscles ached, and even if her lungs were practically crying for help inside her chest, she was damn proud of it.

“One of your best times yet,” Jason said, holding his stopwatch.

“You asshole,” she blurted out, with feeling.

Of course, his sole response was sending her a shit-eating grin. Those grins made it hard to stay mad at the guy: big and luminous, showing off his square teeth and his laugh lines, his eyes wrinkling at the edges. And well, it was Mia who always asked him to ride her hard (ha!) on these training sessions. He went above and beyond, and was more than a little bit unreasonable, confident she could beat it.

That's why it felt so good whenever she did.

Jason only approached when Mia dropped down her bow (wise man), engulfing her in a heated kiss.

“Ugh, come on, I’m all sweaty, I reek,” she complained, playful. He dropped his head to her shoulder, scratching her skin with his stubble, and licked her neck. “Ew, gross.”

Jason stepped back, smiling. “Wanna hit the showers?”

He casually removed his jacket as he said it, in clear invitation. The way that his grey shirt strained over his chest made it an enticing one, but before Mia once again lost her nerve…

“Let me catch my breath first, okay?” He raised his hands, palms up, capitulating. “There’s something I’ve been meaning to ask you.”

He looked at her, inquisitive, maybe a little wary.

“I want you to come to my birthday party. On Star City.”

Jason’s body was as still as a statue. “It’s this Saturday, right?”

“Yes.”

“With your whole family.”

“Yes,” she repeated, stubbornly.

“Are you sure?”

If he’d asked with skepticism, or scorn, or deflected with snark, Mia would’ve been annoyed. But his tone was wholly neutral. Just checking in.

It wasn’t unwarranted. Connor and Roy weren’t the type to make a fuss about her dating life, but she knew Ollie and Dinah each had their own opinions on the matter. Ollie was free and vocal with them, and Mia was equally vocal about how little she cared for any kind of condescending, paternalistic daddy-with-a-crossbow routine, so that was solved. Dinah kept quiet about hers, and respected Mia too much to intervene.

“I want you there,” she insisted, and that was all.

“Should I dress up?” he teased.

“There’s a non-zero chance at least one of the guys shows up with sweatpants, so… be yourself. But you know. Just a little bit would be nice. For me. For the eye-candy!”

“Noted.”

“You know, fucking Cheshire is coming. You’re not even going to be the person with the highest kill count sitting on the table.”

It was a tasteless joke that would’ve gotten her stern stares anywhere else, at best, but Jason snorted.

“I don’t know, isn’t she in one of your little hero teams now? In the path of redemption? Some would say that’s a step above me. Don’t try to take away my street cred.”

“Sure, sure” Mia waved that away. Then, careful, added, “You know, you can invite Sasha.”

“I’ll tell her,” he promised, “but don’t take it personally if she doesn’t come.”

It was hard not to take it a little personally. Sasha lived in the same city! The bus ride was twenty minutes! Mia prided herself on being pretty good at making friends and influencing people, but Sasha had proven to be a tough nut to crack.

Jason had taken to visit Sasha regularly, ever since she started studying in Star City, of all places. That’s how Mia and Jason had ended up crossing paths a second time, a little before Mia moved away to Chicago. She’d needed to see what the hell was up with that, and she helped establishing a truce between him and the others as long as he kept to the civilian side of things.

Jason's visits had been cut for the last month, ever since Mia had told Ollie and the others about the two of them. Jason had set up a trip for the two of them instead, but Mia suspected the lack of visits added to Sasha’s apparent dislike of her, and this birthday party was a way to settle that, as well.

“Sasha doesn’t like crowds,” he added.

“We’re gonna be eight people.”

Your people. You’re a rambunctious lot.”

She couldn’t argue with that.

Your people, he’d said. Once, she’d asked him if he intended to tell any of the Bats about them. He’d look at her as if she was speaking gibberish. Why? he’d asked. They’re not in my life.

She knew that was not strictly true; that sometimes they crossed paths through mutual acquaintances, that he aided against a rogue attack here and there. She suspected that he sometimes even baited them with cases he didn't think he should take on by himself, as the Big Bad Red Hood of Gotham. But it was true enough. Meanwhile, Sasha had known from nearly the beginning. Jason’s friend Talia as well, though they had yet to meet. Mia wavered between being more than happy to delay that as much as possible, and being morbidly curious about the possibility.

“You’ll fit right in then,” she grinned. “Now, about that shower…”

 

6:52 A.M.

Leslie drives all the way to Wayne Manor with the same sense of dull dread that has accompanied her near daily visits for the past year.

She knows she’ll find a yet again diminished Alfred once she arrives, living yet haunting the place with his presence, a prisoner in the home he once ruled –or at least, ruled to an extent. On top of that ever-present heartache, she has to add the whispers she’s heard in the neighborhood about Batman fighting Waylon Jones, of all people. The very idea has her sick with worry.

When he allows her in, Bruce looks like he hasn’t slept a wink all night. Silent, somber, he replies to with one-word answers to her prodding, never giving an inch.

He walks her to the kitchen, not to the bedrooms. That’s a good sign. It meas Alfred is up an about, at the least, perhaps seeking out old routines for comfort.

When they enter the room, the picture it offers is quasi tragicomic. Alfred stares at a plate of toasts –goat cheese, honey, walnuts– with a barely restrained despair that should struck anyone as disproportionate for the occasion. When he sees them, he contains his expression, greets her with a mere nod, and walks out of the kitchen with a half-hearted excuse.

Leslie hates that. The stiff upper lip, Englishman routine always made her want to rustle the man, shake him loose; anything just to get any emotion, any proof that he’s as red blooded as the rest of them, out of him.

She looks at Bruce for an explanation, but it remains unsurprising when she doesn’t get one.

She doesn’t imagine she needs one. Time-shifting is a relatively recent development; so far, the few times they’ve observed it, it always centers around a young Jason. Whatever this business with breakfast is, it’ll certainly be about him.

At the beginning, any distress Alfred exhibited was easily curved by telling him the boy was still at school, but that doesn’t always work anymore. Once, Leslie asked Jason —through quite a few intermediaries—, to come for a visit, eager to see if that could help. Jason begrudgingly accepted, under the condition that he wouldn’t see Bruce during his visit.

He had walked into the house with the curiosity of a newcomer, looking at it for all the world as if he’d never stepped a foot in. It only hit Leslie later that technically, he hadn’t: Bruce rebuilt the manor after the earthquake; she had simply gotten used to all its changes, year after year.

Jason hadn’t. He had stopped in his way to Alfred’s new bedroom –though in his sickness, he sometimes still wanders to the servants hall he’d always insisted he should occupy—; a chuckle escaped his lips, as he stared at an empty piece of the wall.

He spent a few hours with Alfred. Despite the endless, precious patience Jason displayed, Leslie found herself disturbed at the sight of a man with a size that could engulf Alfred, with muscles that could lift him and carry him far, far away from this cursed place, calmly speak to him about homework and extracurricular school activities. She left them alone after the first thirty minutes.

When she walked a pensive Jason out, she told him I think… his brain wants to return to that time. Those memories, when you were still living here, before…

The words floated around them, a heavy presence whenever Jason was near. But like the rest of them, she couldn’t quite bring herself to speak them.

Jason hummed. I have a different theory, he told her. It’s not about me, not really. He misses who Bruce used to be, before my murder. Acerbic, he’d added, but unlike me, that man is never, ever coming back.


Jason and Mia had decided to make a trip out of their journey to Star City. Mia refuses to ride a plane with Jason, no matter how many times he insists he has his ways to camouflage his veritable arsenal of illegal weapons for transport. 

Instead, they take their motorbikes across the country. They race each other on the road like the competitive assholes they are. They indulge in a about dozen tourist traps. They fuck and fall asleep in only moderately seedy motel rooms along the way.

Mia wakes up with her face pressed against Jason’s back, her fingers clinging to his shirt. He only has two modes of sleep: erratic and easily shaken, due to nightmares, or absolutely dead to the world. This morning fits the latest, and Mia takes great pleasure in waking him up with a pinch.

Star City is only a few hours away.


Alone with Bruce again, Leslie pushes aside the memories and looks him up and down, assessing his state.

His knuckles look to be the worst of it, absolutely shredded. The brutality that would’ve gone into it, against Waylon’s sturdy skin, and for it to be Bruce (thankfully, oh, thankfully) the last man standing… Leslie is tempted to leave him as is. Let him brood and withstand the pain he so eagerly seeks as he so eagerly deals it to others. But acting in such way isn’t in her nature, so she takes his hands, deaf to his muttered protests, and opens the med kit she wisely brought with her.

“How did this happen?” she asks.

“Routine patrol.”

“That’s not what I heard,” she says, biting.

“Then why even ask?” he snaps.

Leslie continues her ministrations, stubbornly keeping her calm. “He may look enough like a monster for you to allow yourself to let loose like this, but we both know that’s not all that Waylon is.”

Bruce merely locks his jaw, refusing to be chastised.

As Leslie finishes, he changes the topic. Predictably, it’s the same opening he always uses.

“Alfred is getting worse, Leslie.”

She hums.

“Your visits do him good.”

Much good they can do, when Alfred barely withstands the sight of her half the time.

“You know you’ll always have a place here.”

And there it is. That offer first came when she was pushed into retirement, when she and Alfred started seeing each other again. Lost was the giddiness of youth, but a more grounded companionship rewarded them. In those days the now dreaded offer was sporadic; as well as ironic since, behind Bruce’s back, Leslie had tried to convince Alfred to move in with her.

Behind his back, she scoffs. How had she allowed that to be the status quo, as if Alfred was a teenager sneaking out on his tyrannical patriarch?

But Alfred started showing signs of dementia, and so the offers became more insistent. Bruce needs a caretaker for Alfred. Bruce needs someone else to be a caretaker for Alfred.

And he needs a caretaker that won’t be a security risk. Not for Alfred, but for Batman. Because Alfred can no longer be trusted to keep his many, many dark secrets.

Lately, the offers bring her back to the day of Jason’s visit. He will never let Alfred leave, he told her. Just make sure you don’t get trapped in here with him.

Jason was the child who best took to Bruce’s violent teachings. What Bruce saw as crossing an invisible line of no return, Leslie thought of as the inevitable, tragic, extreme conclusion of such acts his entire brood engaged in. But in that day she lost count of how many times Jason proved that, through it all, he’d retained the unflinching empathy and kindness she'd seen him so often display in childhood.

“I like my neighborhood, Bruce,” she replies. As she always does.

 

11:45 P.M.

The chili's almost ready. Oliver, as usual, made two different pots, leaving for himself the much, much spicier one. He made extra this time, not just for Jade, whose taste buds probably need a bucket's worth of spice to experience the joy of any dish, but because he definitely plans to give That Fucking Guy a ration. He's willing to play nice, and he’s seen and heard enough to admit he might deserve some good will on Oliver’s part, but he isn’t above getting just a little bit petty. It's his damn house, after all.

The doorbell rings, and Oliver opens the door to Mia and, of course, That Fucking Guy, looming large behind her.

But he pays him no mind as he engulfs Mia in one of his trademarked bear hugs. “Happy birthday, short stack!” he says, raising her from the ground, making her belt out one of her loud, beautiful cackles. “Oh man, you’re heavy! Did your muscles turn to steel while I wasn’t watching?”

He puts her down and Mia laughs, flexing her biceps. “This guy here rides me hard… in training!” she jokes, anticipating Oliver’s grimace and not the least bit sorry for it.

“She can dead-lift me,” Todd adds, deadpan. Oliver refuses to be amused by this.

But he extends his hand for a quick handshake, surveying the guy. He’s dressed simply, with jeans, a green print shit with vines, flowers and damn butterflies that he somehow pulls off, and despite the warm weather, wearing precisely the kind of leather jacket, not quite trench-coat long, Oliver always pictures him with. He can’t see any suspicious bulges under it, but he’d eat his own arrows tip to tail if he isn’t packing.

“Seriously, you need to come and see the training course he’s built me. Insanely elaborate, you’ll love it.”

“You’ll have to show me next time I visit you.”

Which might come as soon as a week from now. Ever since Mia moved away, he’s been feeling lonely. He wouldn’t go as far as to say that he has empty next syndrome; he's no damn Batman and he has no desire to hunt down the next vulnerable child to saddle with a bow and arrow, thank you very much. He just misses Mia’s company, Mia’s specifically, terribly. But he doesn’t want to smother her, now that she’s finally trying to step out of the aforementioned nest once again.

Oliver walks them to the garden, where he’s set the table. It's sunny, with just the barest hint of wind to keep the worst of the heat at bay. A perfect spring day, as the date demanded.

After some small talk about Mia’s renewed studies and some teasing about Oliver’s depressing lack of a dating life, Mia announces she has to go to the bathroom. She always does that, no shame whatsoever. She kisses Todd on his brow as she stand up, and squeezes Oliver’s arm before walking inside the house.

An anticipatory silence engulfs the two men. Oliver looks him over one more time. He's clean-shaven, a contrast with the image Oliver built up in his head. The earring and the bracelets are a bit of a shock as well, making him look almost too normal, too earthly. But he's more surprised to see, up close, that he has brown eyes, a rich dark color that turns a little golden under the direct hit of the sunlight.

He expected them to be blue, he realizes. Maybe because of his predecessor as Robin, much more familiar to him. He thinks his successor is blue-eyed, as well.

“From one to ten,” Todd tells him, “how much do you want to shoot me right now?”

“Zero,” Oliver recovers quickly, “because Mia would wax my beard off if I did anything like that.”

“Come on,” he insists with a teasing grin, grabbing a large green apple from the table. He walks to the old tree in the garden and stands as tall as he is, placing the apple on top of his curly mane. “Call it target practice.”

Oliver never quite got a handle on the zen teachings many tried to impart him, so with no small amount of glee, he readies the bow and arrow case that he'd hidden under his seat at the table. In less than five seconds, in an angle that makes him very aware that Todd has a couple inches on him, he spears the apple right in the middle.

“See? Cathartic, I bet.” He rips out the apple from the arrow, taking a large bite of the fruit.

Oliver doesn't have it in him to contradict him.

Todd keeps eating the apple. Loudly. “You know. Less than twenty feet, a still target… my training dome is much harder.”

Oh, it's on.

“You think you can do better? Come on,” he mirrored, grabbing a dark purple plumb. “I don’t believe for a second you’re not strapped right now.”

Jason pulls out a gun –small and discrete, but no less lethal for it— and a silencer, and walks to the other extreme of the garden. Once there, Oliver throws the plumb the plum into the air, and the guy hits it right in the center.

The resulting explosion has wet pieces of fruit falling on Oliver’s hair and on his blue polo. Shit.

The two of them look at each other across the garden. They approach the table. Jason hides his gun, and Oliver follows suit with the bow he’s left resting on the chair.

Mia comes out of the house. “Did you guys heard a shot? Ollie, what the fuck man, can’t you eat fruit like a normal person?”

The two men looks at each other again. Oliver erupts in laughter, while Jason, more discrete, chuckles.

Mia narrows her eyes. “Did you try to put the daddy-with-a-crossbow routine?”

“In my defense, he literally asked for it!"

Jason’s expression is positively angelic, dimples and everything. It knocks down ten years from his face, easily.

“He is very good at taunting people into shooting him,” Mia mutters.

“You do know me.”

 

01:10 P.M.

Kara invited me to go out with her in Metropolis. I think I’m gonna stay for the week. I’ll text you when I get back.

That’s all Steph’s voice message said, when Cass woke up alone. It’s been a while since Steph even bothers to infuse her tone with fake cheerfulness for those kinds of updates; they have turned matter-of-fact, even distracted, with no endearments or well-wishes or her sweet Love you! tackled at the end. She always says goodbye through the phone, to avoid being seen face to face.

Cass knows the message is, if not an outright lie, a half-truth. Kara invites Steph over plenty, and invites herself to Gotham even more often, but Cass hasn’t heard anything about this specific weekend. She suspects that Steph is the one who decided to leave, to take a break from Cass, and Kara the one who eagerly welcomed her.

Barbara would tell Cass that she sounds jealous. Tim too. She is. Not because she thinks there is anything romantic in Steph’s getaways –despite herself, Cass is probably more attracted to Kara than Steph is.

No, it’s because of how easy friendship is between the two of them. How uncomplicated, joyful, effortless. Cass doesn’t know if she and Steph ever had that, and if they did, when they became… girlfriends, they lost their chance to recover it for good.

So. Steph, once again, has decided to up and leave. Cass does the same thing she would’ve done, even if Steph had stayed: she goes to see Bruce.

She hides in the shadows of the cave, in full Black Bat regalia, to observe him freely. He makes no sign that he’s noticed her presence; the fact that he isn’t trying to disguise any of his pain, his exhaustion, his despair, palpable on each micro expression and stiff muscle, confirms her assumption. Even after all these years, when he knows it to be both hopeless and hurtful, Bruce’s first instinct is to futilely try to hide from her.

You keep burning yourself for him, there’s not gonna be anything left, Steph told her once, trying to hide how seriously she meant her next words: and I’m a selfish woman, so I’d like to have something to keep for myself.

Cass doesn’t know when things went wrong again between Bruce and Steph. He hasn’t disavowed her again, he approves of her, he still respects her as a hero. But at some point along the way, Steph lost all respect for him, and never gave her a reason for it. Cass is convinced that if it wasn’t for Barbara, Steph would’ve dropped Batgirl’s mantle by now.


“Hasn’t Mia taught you anything?”

“I suppose it’s not bad for a newbie.”

“I hit the fucking target nearly every time, what are you talking about.”

“Eh…”

“There was just no style to it, babe.”

“I'd like to see you all do better with my kind of weapon. I bet Harper’s the only one who could beat me with some guns.”

“Give me one gun you could beat me with.”

“Bazooka, grenade launcher…”

“It’s so convenient we don’t have those around right now.”

“Name a time and a place!”


She finally descends from her perch, silent. She knows the exact moment he spies her reflection on the computer screen.

“Black Bat,” he says. After the initial tension, the initial attempt to hide himself, a wave of relief becomes visible in his posture. Cass regales him with a small smile for it.

“Good afternoon,” she says. “What are you working on?”

“I’m just finishing last night’s report. I had to chase down Killer Croc.”

You’re not supposed to fight Killer Croc alone, she doesn’t say. Bruce already knows that.

“Fun,” she replies instead. It would’ve been, for her. Killer Croc’s body language is different enough from regular humans that, in combination with his raw strength and general viciousness, it makes for a bit of a challenge for Cass, even if he is, as Grace Choi would say, “dumb as rocks.”

Then she says what is expected of her to say: “Do you want to spar a bit, before lunch?”

She sees him hesitate, assessing his own wounds. But predictably, he accepts the challenge. She has to be careful enough with his injuries –watch his bruised knees avoid his left leg, never ever hit his head— that she won’t aggravate them, but go hard enough that Bruce won’t feel condescended to, managed. It’s a difficult tightrope to walk.

Once they exhaust themselves –once she’s exhausted him— she might convince him to go up. She’ll spent the day with him, providing solace and distraction alike, and then companionship during patrol, the way he forbade the previous night. He won't say the words ‘thank you’, but to Cass, that is still a foreign tongue. What matters is that his expression, the angle of his shoulders, the relaxed posture of his hands, will scream his gratefulness loudly enough.

 

04:25 P.M.

If Lian doesn't hear anyone tell her trauma isn't linear ever again, it will still be too soon.

You're supposed to get better as you get older. Better equipped to deal with the shit life throws at you, better at controlling your own damn emotional responses. Just better.

And yet, it’s now, years after the fact, as she skyrockets towards teenagedoom, that the horrors of the past have come back to haunt her.

The nightmares about the trafficking ring started three months ago. It happened because an older boy smiled at her in the park. Not even really older. Three, four years at most.

That’s not even the whole truth. That's just the edited, carefully curated truth she's shared with the grown-ups in her life. It happened because that older boy smiled, and Lian, flustered, shy, smiled back. And then later she caught that boy sneaking a look up her skirt. 

She should've kicked him in the face. She should've at least screamed at him in anger. Instead, it paralyzed her. She didn't react at all, when the boy laughed it off and walked away.

That's when the old nightmares returned. When she tossed aside all her childish dresses and skirts, and started getting nervous, vigilant, around strange men. Not always, not with any logic to it. Not when they were particularly old, or particularly rude, or particularly ingratiating. It happened even if she'd been in a good mood all day. It was unpredictable, and that was the worst part of it.

Dad keeps telling her to talk to Mia. That she would understand. But Lian feels nothing but shame towards the idea. Next to everything Mia went through, Lian only experienced a few scary hours before returning home safe and sound. She should be able to carry that at least with half the grace Mia does everything.

In contrast, Lian's disproportionate reactions, too big or too small, always leave her feeling ridiculous, stupid, paranoid. You’d think after experiencing death, nothing else could quite measure up in your terror-meter. But the truth is, she barely remembers dying. She was and then she wasn’t and then she was again, from fading out as the ceiling fell on her to awaking in her mother’s embrace, to her father’s tears, in a matter of heartbeats instead of years.

Returning to life made her body a tabula rasa; scars like the one on her chin from the first time she fell off her bike, or the nearly invisible dent in the back of her hand from that time a playful puppy sank his needle-sharp tooth in her skin, all disappeared. Those, she missed, but death did her the kindness of erasing the brand they marked her with. Yet the memories persisted.

There are many things worse than death; things that leave death in the dust. 

Maybe he would understand that.

She feared the inclusion of a stranger would make it happen again during the birthday party. She knows her father anticipated it, because a few days ago he dropped a comment about how Red Hood fed him and her mother some intel three years ago, when the group who once held her captive tried to resurface, despite Tanner, its leader, remaining imprisoned. 

That works well for the rational part of her brain, but Lian can’t help but be keenly aware of every one of his movements. He’s barely paid attention to her all day, greeting her politely when she arrived and not much else. All his focus is on Mia; on shooting the shit with Dad and Ollie; on having quieter, yet no less impassioned conversations with Uncle Connor; on Mia again.

She can tell, because in all the time he hasn’t paid attention to her, she’s only pretended not to pay attention to him. She needs to know where he is at all times. In a moment of distraction she’d lost sight of him and it rattled her immensely. 

She’d been talking to Mom, at least. Her lethal presence next to her at all times still fills her with guilt, but now more than ever, it also reassures her. She gets the feeling Mom and Red Hood are relatively simpatico, but she knows how little that would matter to Cheshire, the moment she suspected him of anything untoward towards her daughter.

Nonetheless, her raised heartbeat doesn't calm down until Ollie starts bitching when Todd ate his hyper-spicy chili without breaking eye-contact, or a sweat. It’s a quintessential Ollie moment that gets her to snort and finally breathe easy.

When things start winding down, Lian feels relaxed enough to actually read the book she brought, instead of just using it as a shield to hide behind. She notices him looking at the cover with curiosity, and it doesn’t make her nervous. He probably doesn't understand the title; Uncle Dick had made a crack about it when she translated it to him.

“I read one of the author’s short stories a few months ago, in a collection. Do you like her?” 

That awakes her curiosity, something rarely stirred these days. But all she can muster is “It’s the first one of hers I read.”, shyly.

She thinks she used to be such a precocious child. She’d talk the ear off of any adult with whatever was on her mind at the moment, never failing to endear herself to them, to marvel them, to make them gush about how cute and smart and mature she was. That Lian would tell him about she likes to read the last book of an author first, and only then, if she likes it, she’ll try the rest of their work in order. Or about how this past year she’s been devouring Vietnamese authors, compatriots from her mother's motherland. She started learning it on her own, before dying, and it feels as if she's regained something from her past, even if it was Chinese, the language of Jade's surrogate father, that she first spoke to Lian and turned then into a mother tongue. 

She would've told him all this and more, easily showing off her dominion of four languages, adding Navajo from Dad’s side to the mix. She would’ve asked him things, and told him many others, freely and happily and without care for what he’d do with them.

That is beyond her now.

“But I like the book so far,” she manages to say. “Did you like her story?”

She is so lame.

“Yeah, I made a note of her name and a few others in that collection, for later. I don’t think my reading level is up to par for longer works yet.”

“You know Vietnamese?” she asks, switching to the language, nerves fully forgotten for a moment.

“I speak it well enough,” he replies in kind, truthfully. “I pick up languages easily as a speaker, but reading is a bit tougher. And I like to read things in the original language, because I’m an unapologetic snob.”

Lian snorts. “How many languages do you speak?”

“Fluently, or just enough to get by? A lot, really. I picked up bits and pieces as a child, from the people in my neighborhood. My father used to call it ‘Gotham’s melting pot.’”

“Batman said what?” Lian says, wrinkling her nose.

“No, no,” he laughs. “My biological father, born and bred there. Bruce has said worse about it, trust me.”

There’s a lull in the conversation, before Lian says, a bit awkwardly, “I can let Mia know what I think about the book, once I finish?”

“That’d be really nice of you,” he says. He has a quiet, kind smile. “I’ll leave you to it, won’t distract you anymore.”

And true to his word, he walks away.

Lian still follows him with her eyes from time to time, occasionally distracted from her book. She observes as Mia takes his arm for an impromptu dance he doesn’t hesitate to join, despite being accompanied by Ollie's un-danceable grandad rock (indistinguishable from Rose Wilson’s playlists, to be fair). 

Lian watches how he dips her, and flies her in the air, Mia's hair, growing long again, falling over her face in unruly layers. She watches how the two of them laugh and grab each other, as if unable to get their hands off their partner’s body.

With effort, Lian reaches the end of the page.

 

09:00 P.M.

Helena walks into the Clocktower 3.0 without much ceremony, unfazed upon encountering Barbara frantically divide her attention between five screens, talking with what seems to be at least seven different people, and texting probably another twenty. Must be slow day for the woman.

“Batman will be in a mood today, so steer clear,” Barbara tells her, skipping any form of polite greeting. Years ago Helena would’ve bristled, but it’s been a long time since she’s felt she needs to prove anything to that man.

“Isn’t he always in a mood?”

“It’ll be worse today.”

“Is there any particular reason for it that you’d want to share with the class?” she asks, nosy.

“Scheduled visit from the ghost of Christmas past,” she mutters, largely ignoring Helena. “Tonight I want you on the docks, Penguin’s moving something there. Either guns or some exotic species, who knows. Red Robin will back you up. Black Bat will stick with Batman.”

“Daddy’s little girl,” Helena says, just to wind up Barbara a little, but all she does is clench her jaw, refusing to take the bait. “No Batgirl tonight?”

“She’s out of town.” Pity.

“I called you early to give you this.” Barbara hands her a thick file, because she knows Helena is a clichéd old soul who’ll take analog over digital any day. “Those are from the bugs we put on the Maronis. You’ll make time to familiarize yourself with them. We think they’ll be making some move soon.”

Helena is about to jump on that, after the mandatory jab at such typical commanding attitude. But Barbara, still entranced by her interactive map of the city, tells her, with uncharacteristic hesitance, “And… tell me if you see, or hear about, Red Hood tonight.”

“Do you think he’s up to something?”

“No. I’m just concerned.”

For him, she means. Helena wonders if he has something to do with Batman’s 'mood.' He talks about Red Hood like he's somehow worse than all the other Rogues put together, but his attitude around the man… In anyone else, Helena would’ve categorized it as cowardly.


“What? How can you say that, kid, I saw you there—”

“Look, whatever Jordan showed you with his magical powers, you were probably just filling in details to the scenario with your previous knowledge.”

“I didn’t even remember you existed then! I’m telling you, I saw you in Heaven!”

Magical. Powers. And no such thing. I’d know.”

“Are you seriously an skeptic? In this world?"

"I'm a skeptic because of this world."

“Sorry, Ollie, but I have to agree. There was no white light or pearly gates for me either.”

“See? Lian backs me up. Two zombies versus one. And what better proof? There’s no doubt she would've ended up flying with the cherubs if that was a possibility.”

“I’m telling you I SAW—”


“Will I ever get the story?” Helena asks, more than a little miffed. Is she in, or is she out? With this lot, she's always asking that question.

Barbara pauses her clicking. “Maybe you should,” she replies, to Helena's shock. “Come here after patrol.”

Huh. Weird. Is there something in the water today? 

Besides the usual, suspected toxins, of course.

 

09:43 P.M.

Dinah has been gearing up to leave the party for her hotel for at least thirty minutes. It’s been a good time, an objective success, but parties at Oliver’s home invariably end with everyone exhausted; especially when you have to tiptoe around your pining ex-husband.

As much as she loves seeing Mia, Roy and Connor, and all together to boot, she’s ready for a bit of peace and quiet. Although the plan for tomorrow is to stay in the city until late for a shopping day with Mia, to spend time with her, which she's excited about. Especially as it’ll be just them. And if Mia doesn’t bring up the topic by herself, Dinah isn’t planning to mention it, so it'll be breezy. Easy between the two of them, as always.

She knows what everyone probably thinks, but it’s not that she holds his past actions against Jason Todd, or even concerns about his different code of conduct. She’s no Batman.

The problem is that he has 'bad news' written all over him; Dinah can’t see a way for their relationship to end other than in tears. He’ll break Mia's heart eventually, act careless with it.

But heartbreak is part of life and something that Mia will have to open her eyes to. Oliver once had bad news written all over him too, and Dinah still had come to him, again and again. Maybe Jason Todd will be the last push Mia needs to move away from her bad boy fixation.

Though Dinah, remembering her last few disastrous attempts at dating, supposes that has its own risks too; the risk of dying of boredom, mainly.

She makes the rounds to say goodbye to everyone. Alone with Connor, she can’t help but ask, “What do you think?”

Without beating around the bush, Connor replies: “I think he’s good for her.”

Dinah looks at the happy couple. He has his arms around Mia, who sits with her back rested on his chest, laughing boisterously at whatever silly anecdote Roy regales them with, mimicry included. Mia’s hands possessively grasp at his forearms, as if she never wants to let go. Dinah recognizes that ease, that comfort, that passion. She used to feel it every time she was in Oliver’s arms.

“I don’t see that,” she tells Connor.

“Mia’s opinion is the one that matters here,” he shrugs, “but for what it’s worth, this is the happiest I’ve ever seen her.”

Dinah can see that. She sees how Todd’s attentions make Mia feel like she’s at the center of the universe. She understands how intoxicating that intensity can be. But she's just older, and jaded, and is keenly aware of its many pitfalls.

She says goodbye to Connor and approaches the kitchen like one would a war zone. Oliver is there, just as she knew he would be, stuck with the cleaning. Manually, because he’s still in a war against dishwashers.

“You’re leaving already?”

“I had a late night. I want to rest before tomorrow.”

“Okay,” he says, failing to hide his disappointment. “Thank you for coming down here, Dinah.”

“There’s no need to thank me, Oliver. Whatever else happens between us… we’re all family.”

He nods. God, it’s so difficult. He never says anything, never pressures. But Ollie has never been a closed book. You can read everything in his face. And every time they see each other, his face screams how much he loves her, how much he wants her, how much he needs her. And each time, it gets harder to remember why it’s so important to resist him.

“Goodbye, Oliver. I’ll be in touch,” she promises, with a strained smile.

 

10:48 P.M.

Tim’s getting ready for patrol when Oracle, unsubtle, informs him that he’ll be spending it with Huntress. He isn’t sure whether he should feel relieved or insulted.

He’s spent the last few years training himself into no longer believing it’s his responsibility to manage Bruce's moods; admittedly, it’s harder on a day like this, but the younger generation has made it easier, for once. Damian keeps his distance, still staying in the rebuilt city of Blüdhaven; he'll have to deal with Dick's mood, Tim supposes, and that’ll be... he has no idea, of how that must be. For years, this anniversary remained solely about Bruce. Tim never talked about it with anyone else. Except Alfred, but that circled back to Bruce, as well. Talking with Dick would've probably meant much of the same.

Cass would be on top of it, but there’s that group of kids playing at Robin... although they seem determined to separate themselves from Batman. Tim’s unsure about whether that’ll spare them this particular night, if Bruce's repressed memories won't renew his determination to stop them. Maybe Tim should check up on that tonight…

Damn him. Old habits die hard.

Perhaps Jason would keep an eye on them. He seems to have bonded with at least one of them, who knows why. But it felt unfair, to make Jason, of all people, the one to manage Bruce's feelings.

Tim has no idea of what Jason does on this date. Last year, he crossed paths with him. Inevitable, when they both spend their downtime around Park Row these days; it was bound to happen sooner or later, and as per Murphy's Law it would have to be in the most awkward possible moment, but Tim really hadn't expected to see the man in a grocery store, just like any other day. Situation normal, nothing to see here.

Jason stared him down across the aisle for a good ten seconds, with a look that seemed to say, come here and say a single word to my face. I dare you to. Tim’s sure that if he’d have the nerve to express any amount of commiseration, of sympathy, towards him, Jason would’ve punched him in the face. Right there, next to the vegetables. That look was a threat. Or perhaps it was just the man’s resting bitch face.

So, yeah. He doubts Jason wants company today.

As he ponders the situation, he finally, at nearly eleven o'clock in the night, sees his calendar alert.

He almost missed one of his Titans' birthdays!

It happened often, hence the alerts. He has to kick himself whenever he forgets this one, because shouldn't it be easy to remember? He had repressed a wince, the first time Mia told him the date. He wisely kept the coincidence to himself.

Mia... how many months has it been since he talked to her? Three, four? Something like that. A text doesn't seem good enough, so late in the day. So he does something rare for him: he picks up the phone, looks at his contacts, and presses call.


"Uggggggh," Mia says, when she hears the phone. "I can't move, I'm too full... Can you answer?"

She lies on the couch, exaggerating her languid movements. Jason smiles down at her, shaking his head at her laziness, and moves her legs from his lap to stand up. When he reaches the phone and sees the screen, his face turns into the most evil expression she’s ever seen on him.

"This is Mia Dearden's phone. How can I help you?" he asks, in perfect help desk operator voice. Looking back at the screen, he adds, "Huh. They hung up."

Jason sits back down, putting Mia's legs in place, the phone still in his hand. Mia squints her eyes at him, suspicious.


Tim yelps. Every bit of his coordination abandons him, as he flails around to hang up the call.

What the fuck. What the fuck. What the—


The phone rings a second time, and Jason, who clearly loves chaos, puts it on speaker. "Yes, Tim open-parenthesis-Tee-Tee-closed-parenthesis?"

Oh shit. Mia covers her mouth with her hands, holding a snort at bay.

"What are you doing with Red Arrow's phone?"

The chilling tone in Tim's voice rivals the temperatures of Chicago's worst winters, but Jason's response is a placid "Wouldn't you like to know."

"I thought your time screwing with heroes was long over, Red Hood."

"I resent that. Didn't you hear what I did to Supergirl last month?"

What Mia put together from both parties is that Jason had been his regular asshole self (like father like son, if Batman had the sense of humor of the world's most annoying house cat, is how Kara put it), and then, through unclear means, helped Supergirl score a date with a cute guy. But Jason loves his spotty reputation.

"What are you doing to her."

Mia sighs. Better to get this out of the way. She grabs Jason's wrist and brings the phone towards her face.

"Fucking me for the last six months, that's what he's been doing. Still screwing heroes, if you think about it.”

They hear a sputter on the other side. "Hi, Tim. Why did you call?"

"I— I wanted to wish you a happy birthday?"

"Did you?"

"Err— yes. Yes. Happy birthday, Mia."

"Thank you, Tim! We should meet soon. With the other Titans too, whoever can come. And catch up, you know."

"Yes. Yes. We should do that."

"Okay! Goodbye, Tim! Have a nice night."

"Goodbye."

Mia hangs up, no longer repressing her giggles. Jason looks down at her, amused, his wrist still locked between her fingers.

"You think he'll tell people?"

"Nah," Mia replies. "Tim's discreet."

"Yeah," Jason says, lost in thought. "I suppose he is."


Immediately switching to something akin to mission mode, Tim mentally reviews what he knows about Mia's birthdays.

She always spends the entire day with family. That means Oliver, at the very, very least, that one year they were all falling apart. But these days Dinah comes too, even after the divorce; though, of course, with those two, who knows how long that'll last. Connor would also be there, and so would Roy; they had patched things up long before Lian's return, when Roy gave her his mantle. Lian would be there as well. He thinks so was Jade once, some years ago? Dick had yapped endlessly about it. Lian's resurrection was recent then, and it'd caused a bit of a comeback for those two. He has no idea if Jade still puts up with the suburban domesticity for her daughter, now that the romance is over. Probably not.

But most of all, Tim knows Mia would never renounce to all that, guy or no guy.

So, to recap: Mia and Jason are dating; if they’re spending that day together, it’s certainly more than just screwing. And while every one of the Bats were, each in their own way, stuck remembering, over and over and over, the day Jason was violently murdered he... spent it celebrating his... girlfriend's? birthday. Hanging out, partying, with her famously rambunctious family.

"Huh. Good for him."

 

11:36 P.M.

The two of them are alone in the living room. Ollie and Connor went out early, in what amounts to quality father-son bonding time with bonus projectiles, but even if her fingers twitch to pick up her own bow, Mia has decided to stay the night in with Jason.

"I have a confession to make."

"Ominous," Mia replies, with a flippant tone. Nonetheless, she turns around in the couch and sinks her elbows on its surface, supporting her weight on her forearms to look Jason in the eye.

"April 27th isn't just your birthday."

Mia tilts her head, tired and a bit confused. “Are you… missing out on anyone else’s birthday?” Somehow, she doesn’t think he knows about Lizzo and her sharing birthdays. The dork barely keeps up with mainstream musicians, so he's bound to have no clue of who Lizzo is.

“Yes, you know about my busy social calendar,” he jokes, ruefully. But he immediately turns serious again. “No it’s… April 27th is also… the anniversary of the day I was killed.”

Mia almost springs from the couch, wide awake. A shiver travels from the nape of her neck to the small of her back. If she does the math… could she figure out what she’d been doing, in the precise moment Jason first lost his life?

Probably not. Around that time, the men, the drugs… those days were an indistinguishable blur, one confused with the next. And she didn't exactly celebrate her birthdays, then.

It’s another link between them. Unexpected and undeniable, like so many others.

“That’s… one hell of a coincidence.”

“Coincidences happen,” he says. “There are only so many days in the year.”

“You didn’t want me to know,” she states, without judgement, but firm.

“I didn’t want to talk about it before the party,” he corrects. “I just… wanted a good day with you, I guess. I wanted to have a good day, period.”

“It could've been a good day, regardless,” she points, gently. She'd like to think so. That even if she'd known, she wouldn't have allowed herself to be caught up in it, when it's so clearly it'd be the last thing he'd want.

“It's just… Mia. That day… it's so, so far from being the worst day of my life,” he says it like it's a confession, and not something plainly obvious to someone who's spent time with him. “In Gotham… they act like I'm a time bomb, or make it about their own pain, or… I don't know. I guess I wanted the day to be what it feels like to me: one more among three hundred sixty-five days. One I have even forgotten about, before.”

He smiles, or at least attempts to. “Except now it has a good reason to be circled in the calendar.” 

Jason has that look in his face he gets sometimes. That look that said he expects to have gone too far, to have become unforgivable. Mia still needs to chew on this new revelation, but she hardly sees how it could fit.

She gets it. She’s a sharer, she knows this. What others would consider private, sordid details of her life, she speaks up about often; as a conversation starter, as a jumping point to get something important across, as a bonding experience. Jason wants to be a sharer, but has become more private with his pain, guarding it with a dragon’s zeal for his hoard after the ways it's been disregarded. And yet he’s shared with her intimate, horrifying details of his past. Including details from that very day; tragic, enraging details of which he’s the only remaining witness.

So she gets it. She’s humbled that he’s chosen to share something else with her tonight. If she’d known, she would’ve liked to do something for him too, for his memory. But as for that…

“We can make it a good day next year, too,” she promises him.

Jason gifts her his most private, subtle smile, and kisses her knuckles, grateful. 

 

00:03 A.M.

It's a rare night in for the two of them in their Blüdhaven apartment, because Dick's old knee injury has been acting up all week. Damian, who's taken to following him from the shadows in plain black robes, has been using the time to advance on his new suit. He's keeping it a secret, refusing to let Dick know so much as his new name, but Dick's sneaked in a few passing glances to Damian's sketchbook. 

The drawings diverge wildly, with the one strong commonality being full-head coverage. They all seem to favor fiery motives, wildly impractical, and wonderfully flamboyant. It's making Dick nostalgic for his early days as Nightwing. Maybe, if Damian ends up picking something like that, he'll redesign his own uniform something closer to the first Nightwing suit. The chest would have to be covered up, what with all the bullets usually fired in his direction. Although Black Lightning can pull the cleavage off quite well, so why not him?

However, Damian's been off all day. He seems more focused on Dick than on his designs, watching him like a hawk does his prey. Dick had decided to wait and see if Damian opened up on his own accord, but once it's past midnight, he straight up asks the teen to spill the beans. 

“I was… worried about you.”

“Have I given you any reason?” he wonders, baffled.

“No,” Damian answers, almost frustrated, “it’s just… it was April 27th.”

Dick looks at him, still trying to piece it together.

“Jason’s…”

And that’s when it hits Dick, like a ton of bricks. Damian sees it, plain on his face, judging by the immediate guilt and regret in his own expression.

“Father always acted…”

Yeah, Dick doesn’t need to be reminded of how Bruce behaves in the face of that particular topic.

“It’s different for me, Damian,” he says, voice suddenly hoarse.


Mia undresses, borrowing an old, oversized Great Frog t-shirt from the closet of her old room. Jason finds this deeply amusing. Pop-culture illiterate that he is, he wouldn't recognize Taylor Swift is she walked up to him in a sequin dress, but of fucking course he knows exactly what Roy’s shitty garage band was called. Just to better tease her about keeping their one and only piece of official merchandise. Roy once told her they sold a total of twenty-one.

The two of them fall asleep slowly, after their usual chaotic routine getting ready (“where the fuck did I put my meds—” before Jason hands them to her; the way the freak of nature that he is dresses up for the night, because otherwise he becomes an icicle). 

Usually, they start to sleep apart, because Mia feels caged in otherwise, and then drift together during the night, when either of them gets clingy. But tonight she hooks her legs around his, pressed against his cold toes, and burrows her head into his stomach. She falls asleep to the soothing feeling of his fingertips ruffling through her hair.


Damian sends an inquisitive look over his aquiline nose. It's a look that even the uninitiated would interpret as a demanding ‘explain.’

“When Jason died… I was on a mission, in space. I didn’t find out until I returned, weeks later.” He hadn’t found out until weeks after he’d returned, actually. “That’s when it hits me. Not really on a specific day, but… around mid May, I suppose. That’s when I remember how I felt those days. Not on the proper anniversary.”

Especially if he isn’t in Gotham when it arrives. There, he had to put up not only with Bruce’s mood, but with how it’d inevitably affect (infect) everyone else’s. But that happened little, even less the last couple of years. Somehow, he always manages to avoid Gotham during late April.

“Didn’t the Justice League have their alert system back then, for Father to send you a message?”

Dick had bitten his tongue over and over again while Damian still lived with his father, for many reasons (the words “alienation of affection” came to mind). He still censors himself a little, and he probably always will to an extent, but he doesn’t lie to the teen anymore. Damian has gotten way too good at spotting insincerity, or even well intentioned omissions.

“Bruce didn’t tell me, not even when I first returned. I had to find out by this guy who worked for the Teen Titans there.” Jason's file had been updated. Probably by Clark, who had known about it, but likely, optimist that he was, assumed Bruce would take it upon himself to inform Dick.

Damian is back to examining him like he’s a fly under his magnifying glass. What a creepy, delightful junior partner Dick has. He’s getting tall, though his complexion is closer to Talia's svelte figure than Bruce's brick wall quality. He'll probably surpass Dick, though hopefully not by much. He still lives in denial of the fact that Talia al Ghul is one centimeter taller than he is. It's probably just the heels.

It's hard not to think about the woman with her son in front of him. The similarities are striking, especially since Damian grew his hair long and took to braiding it. 

Dick has three missed calls from unknown number that he knows is hers sitting on his phone. He expects her to escalate soon, but he hasn't yet figured out how to tell the kid.

“Do you ever talk to him?” Damian asks. Lost in his thoughts, it takes Dick a few seconds to realize he’s talking about Jason.

“I don’t— he doesn’t want me to.” It isn’t the whole truth. In part, Dick isn’t sure he wants to. He and Jason… their relationship is like a mountain with an intricate, subterranean cave system. You never know what you'll find there. And one single misstep…

Besides, Dick is self-aware enough to know that the few times he’s crossed paths with Jason hadn’t been an accident. That they were the younger man’s strange way to seek him out. And those attempts stopped abruptly months ago. Soon after the Joker’s last grand attack before he went underground again, around the time Damian had come to live with him and new, independent Robins started popping out like daisies.

“Maybe you should try to, anyway.”

“Do you know something?” he questions him. He’s surprised to hear Damian speaking so neutrally about Jason, when to his knowledge, the one-sided antipathy between them remained. One-sided because the meaner Damian is to him, the funnier Jason seems to find him. 

But Babs has long suspected that Colin, as Abuse, unsanctioned by Batman as he is, has crossed paths with the Red Hood once or twice. That they are friendly, at least. And Damian, certainly, is very interested in hanging around Colin…

“No.” Damian shrugs, “but what do you have to lose?”

Hmm. Dick will have to keep a closer eye on this.

 

The next morning.

Jason knocks on Sasha’s door, despite the copy of the key he keeps in his pocket. She opens it with that smile that pulls at her scars, greeting him with a quick hug before rushing him in.

“How was it?” she asks him. His mere appearance, in the morning, after spending the night at Queen’s house, calms down her concerns, nonetheless.

“A lot better than I expected,” he says. And he completely means it.

Dinah Lance could've been the sourest note of the day. Even despite the respect he holds for her, Jason can picture a scenario where her concerns had an echo on his worst insecurities, leading him to lash out with something low and unforgivable. He could've said something about how he wasn’t the type to sneak behind a partner’s back and end up surprising her with the news of an illegitimate child. And if he'd said that, he would've alienated the entire group, half of which was comprised by children born out of wedlock, Jason himself included.

But the cruel though only comes to him in the morning. At the time, he’d been in a genuinely good mood. He’d put Queen at ease early on, deactivating that potential minefield, and it all flowed easily from there. To his surprise, he even enjoyed the old man’s company. He's irritant and loud and incapable of withholding a single one of his feelings, but so is Jason. And the man is so different from Bruce in every way it counts that he hadn’t thought to compare them a single time in the entire day. All those years ago, Jason really got him wrong.

Harper, to his confusion, thinks Jason, and Jason and Mia together, are the funniest thing he’s ever seen. He even seems to think Jason's a pretty stand up guy, thanks to the few times he’s crossed paths with Arsenal, which just goes to show Harper’s low standards and little else, but Jason will take it. He's sure Jade Nguyen hasn't given him more than two thoughts in her entire life, but he can appreciate having someone in the table with an even rockier relationship with the in-laws, and the part of him that trained with poisons find her more than a little fascinating, even if he can't help but roll his eye every time he remembers she used to kill for something as pedestrian as money. And Lian is a small, sensitive kid who’s suffered more than her share in her short timeline. Jason has a soft spot for those, and if anyone had come to the party with the intent to harm her, he would’ve been ready to pull them apart with his teeth.

The one he’d actually been more worried about is Connor Hawke. Oliver Queen is probably the most important person in Mia’s life, but with that man, what you see is what you get. Connor's much harder to pin down. And Jason, through some conversations here and there, had gathered that Connor might just be the person who knows Mia best.

What he didn't anticipate, and is immensely grateful for, is that this could only mean he had the utmost respect for her, for her choices. He’d clearly been observing the two of them during the party with curiosity, but also with an open mind. And when he talked to Jason, instead of bringing up the relationship, the conversation had turned to philosophy, later landing on a heated political debate, once Oliver entered the scene; mainly featuring an exposé on what a joke the DNC's nomination process is!! featuring an attempt to youthful lingo along the likes of 'they did Sanders dirty' that made Mia mock him for five minutes, to a minor detour on Brexit. All conversation topics Jason rarely gets to indulge in with his usual circles, which was pleasant.

But most importantly, Connor clearly thinks Mia is happy with him. Jason tries to take her word for it, but he's an expert in getting in his own way.

One day with them made him realize that he likes these people. Even those who are, at best, on the fence about him.

So all in all, yes. The day was a success.

“Good,” Sasha says, even if just somewhat reassured.

Certain leftovers of possessiveness aside, Jason understands Sasha’s concerns. About him dating a hero. About what that could mean for him, for his mission. For his heart, in the long run. He even shares them. Tasting the sweetness of love and even partial acceptance can make it hard to let them go, if it becomes a matter of choosing them over principle.

But maybe it isn’t as partial as he’d feared. When he told Mia about what he did to the Joker, about what he’d discovered afterwards, she hadn’t shied away from him. Maybe, she's under no delusions when it comes to Jason and what he's willing and ready to do. Maybe she gets where his lines are, and that he's much more careful with them now than he’d been once.

Maybe optimism won't be the death of him, yet another time.

Sasha passes him a letter, breaking him away from his thoughts and demanding his attention. “Here, your one other friend sent this.”

It's no mystery, even without the glaring clue of the fancy stationary. Addressed to “Jason Redkin” and directed to Sasha’s apartment, the one physical place where he can be trusted to return sooner or later, it can only be Talia’s. Who else still sends handwritten letters? Talia could contact him in a myriad of ways, but despite Ra’s attempts to smother it, she's the one other romantic soul Jason knows.

It's a short note, this time. With no references to the anniversary date, because she still knows Jason better than he knows himself. The message's accompanied by two tickets to the opera for tonight, telling him to enjoy them with “Ms. Redkina”. Talia likes to cultivate Jason’s higher tastes, and though he doesn’t think Sasha has ever seen a live opera, he knows she's not above enjoying the fanciest things in life on someone else’s dime.

“The best seats, nice,” she says, when he shows her the tickets. “I think I have the dress for it. Wait here!”

While Sasha runs to her room, Jason's thoughts return back to the past day. That 'next year'… twenty four hours earlier, he thinks that sentence would’ve had him running for the hills, ready to self-sabotage a good thing rather than lose it without his control. He’d gone there with the vain hope of having a good time, and after having exactly that, he feels… light.

It was such a contrast from Gotham. God forbid he encounters any Bat there, on that day; even those who never knew him act like the specter of his childhood self haunts them, when it's actually living through him day after day. He thinks even if they’d known, Mia's family wouldn’t have made him feel that way. One could get used to their way of things.

Gotham is his place. Mia has invited him to spend the rest of the week with her in Chicago, but he’ll inevitably return to his roots. Despite her cruelty, despite her hard edges, it was home to him.

But maybe home didn’t have to be a chain, a prison, a gravitational force.

Maybe it could be a place to return, to rest; somewhere to lay his head. A comfort, with an open door to possibility.




A/N:
  • The brown eyes I mention is because lately I have taken to imagine Jason as Michael Trevino, especially when he's older LOL.
  • The mentions to Lian's kidnapping are part of a canon arc in Outsiders (2003).
  • Oliver does see Jason as Robin in Heaven, one time he pops in for a visit. Comics!
  • Also, I imagine that conversation with Helena turning into a philosophical combo Barbara's not prepared for LOL, but you can’t tell a catholic about a guy dying and resurrecting and expect them to be normal about it.
  • The novel Lian is reading is “No Man’s Land” by Dương Thu Hương. I read that short story Jason mentions in a collection called "The Night Again", saw the title when I looked up the author, and snorted at the coincidence with DC’s No Man’s Land.
  • I've given Sasha, who I decided to picture as Armenian, the last name Redkina, Because. Jason can take it and pass as her cousin.
  • The parts with Kara reference Supergirl vol. 5 #35, one of the few Prime Earth Jason stories I really like. My theory is that the author DEFINITELY did his homework and read Seeing Red LOL.

Hope you guys enjoyed the story!


Clarke and Osborne

29 May 2026 09:51 am
smokingboot: (snail)
[personal profile] smokingboot
Finished Piranesi, an easy lyrical read. Led to a strange dream.

Nuclear man and his wife were so close by. We were all diving into the water, and I tried not to turn my head because he was there, right there! I pretended not to see, didn't turn my head right or left, jumped in, saw a mysterious dark brown/grey cat with a very elegant silhouette like a Siamese, sitting under water. It was perfectly comfortable, nonchalantly swatting at the surface from beneath. I wondered if it was clamping its nostrils shut like a seal would.

Maybe the lustrous visions of Piranesi seeped into my head and pulled me through to some waterlogged world. Hadn't been expecting much from this because I never got into Susannah Clarke's Jonathan Strange & Mr Norrell way back, perhaps it's time to try again. I bought Piranesi in a charity shop in North Berwick, crisp and clean as new, unopened. Someone didn't even try before passing it on. By contrast, I also bought Orton's play for Olivier, The Entertainer,. Why? I don't even like Olivier! Now I can't stand Osborne either. This had a badly torn cover over the little hardback,and there on the inside were the old prices for it, 10s 6d knocked down to 8 shillings and 5 pence in pencil. I may just have bought myself a shim. God, this play does not date well, the opening stage directions have defeated me twice. The only chance I have of getting through it is by finding some interesting point in the middle then reading it back and forth from there. If I can be bothered. Because right now, I'm beset with stuff I am either not very good at or just don't want to do, and that's tedious. But not as tedious as John Osborne.

Autumn garden update

29 May 2026 09:51 pm
mific: (Garden salad)
[personal profile] mific
We're in the last of the nice autumn weather here, maybe already through it as it was cooler and rained a little today. Nice enough for garden pottering, though, and I've been tidying and storing lily and dahlia pots in the garage/potting shed, planting out my peas and rebuilding the structures for them to climb. Also picked up some potted colour at Mitre 10, a local hardware/gardening big box store - primroses and pansies.

I had a great germination rate with the flour peas and kale, and have also planted perpetual spinach seedlings. Forced to use slugbait for a brief time as there are a lot of snails lurking in the dead leaves between my containers, especially now it's a bit damper. My huge Mexican sunflower (Tithonia) is in full flower again, having grown back from a stump to be just as huge as last year. Will see how many years it manages to repeat that feat. Pics below, click through for full size.

Garden table under the eaves - primroses and pansies

Garden table - florist kalanchoes grown from cuttings, about to flower

Two pots of spinach seedlings, peas right rear, water garden left rear. The
big stems in the water garden are black taro. Waterlilies are dying back .

Mexican sunflower going bananas, taller than my flat, as usual.
I can just fit the car in!


Primroses, couple of pansies

Primroses, succulents

Aloe flowering, Meyer lemon fruiting, reliable red
pelargonium

Pea seedlings (now all planted), and on the right, kale


Side garden down the length of my flat - coleus, impatiens,
ligularia, vireya

Aloe (I broke several baby plants off a giant aloe in a local
park 2 years ago, now have 4 plants in pots)

Lush side garden - acanthus getting big Side garden - impatiens, ferns, spider plant 
[syndicated profile] smartbitches_feed

Posted by SB Sarah

An image of a VHS cassette with a label that reads FRIDAY VIDEOS Smart Bitches Ep. 21 against a pink crosshatch backgroundTW/CW: Margaret Thatcher. 

I first heard this in the 90s, on a cassette someone had recorded from the radio (remember that?) and then heard it years later online, when online was kinda new.

This song was allegedly by Krasswerk, but according to a comment from 13 years ago, “This song was created in Shoreditch in London by a friend of mine called Pete. He released it under the name of Very Important Music and it got to number 6 on Kiss FM.

As the Gulf war broke out an embargo was issued to prevent anything with any political references being played on the radio. This song stopped getting played then. Pete made this song by sampling hours of Margaret Thatcher speeches and making the song on his synthesizer in his studio.”

Pete himself shows up in the comments and seems to confirm it, but I remain in awe of the project scope. There wasn’t YouTube or editing software; this was so much sampling and I would honestly watch a documentary about how it was made. The end result: V.I.M. – Maggie’s Last Party. 

Because of this song, we also joke that our cat, Kate, aka Lady Katherine Megatron, Princess of Tails, has two modes: Rave, and Murder.

I hope your weekend is full of the correct balance of each one!

 

swan_tower: (Default)
[personal profile] swan_tower
Even if you work very, very hard with your worldbuilding, you may not be able to get readers to interpret it the way you want them to.

I've titled this essay "the past is a foreign country" because that's a recognizable phrase (though few people know it's from a book by the English novelist L. P. Hartley), and of course our worldbuilding often draws inspiration from the past -- at least until we gain the ability to peer into the future. But I'm referring more broadly to the worlds we make, and the difficulty of translating fictional cultural differences effectively to your audience.

We touched on this a couple of months ago with the discussion of friendship, and how same-sex bonds could be expressed in astonishingly passionate terms compared to our models of friendship today. If you write that into a story now, you can insist all you like that it doesn't imply anything more; some readers, maybe even most of them, are likely to find romantic and sexual overtones in it anyway. Those characters never sleep together? Maybe they're asexual. They sleep with opposite-sex partners? Maybe they're closeted or bi, and just not acting on those particular impulses. Especially since representations of queer desire have still not caught up with the straight kind, people open to those interpretations may have a hard time accepting that those two characters really are "just friends."

The same can go for gendered behavior in general. I can say all I want -- in keeping with cultural standards elsewhere and elsewhen -- that crying is a perfectly masculine behavior, an expression of the powerful emotions felt by a properly manly heart. My modern Western readers will still have a hard time shaking the modern Western assumption that men should not shed more than perhaps a single stoic tear. If my heroic male character breaks out sobbing for anything other than the climactic death of a beloved character (and maybe even then), it's going to carry a whiff of weakness, regardless of what standards prevail within the setting.

I've also talked about this in the context of beauty. We're constantly bombarded with images and videos showing us the current ideal and marketing the notion that anything else is unattractive. Some forms of this, I suspect, are more amenable than others to worldbuilding in a different direction: if my story sings the praises of dark skin and beautiful clouds of hair, it's clear that I'm pushing back against the white default (and I like to think my readers would be on board). It's going to be a lot harder to make them understand why it's appealing for people to black out their teeth, so their mouths look like empty holes. Even with all my anthropological training mustered to help me understand it, I look at photos of people with blackened teeth and see something that evokes a horror movie, not beauty.

Humor is notoriously difficult to translate from one culture to another. Now imagine making it up! This can be an effective way to signal cultural difference; if the alien ambassador laughs uproariously at seeing someone use a fork or tells a joke about that hilarious time his friend used the wrong meter in his poem, the reader receives that as evidence of very different behaviors and expectations. Much more difficult is establishing a variant framework of humor for your protagonist, where they find things funny that the reader does not share but is invited to empathize with. The best you can likely hope for is, through persistent effort, to establish what that framework is. Then, by the end of the story, the reader may recognize that what just happened will be considered funny -- but that's not the same thing as the reader laughing.

Or maybe what you're going for is the opposite of funny, and your challenge is not so much making it register as making it feel real. If you read history -- or, alas, if you encounter certain problems in the world today -- you'll eventually hit instances of bigotry that seem howlingly cartoonish. Whether they have to do with race, gender, class, religion, or any other point of difference, you can find instances of people saying things and committing acts that come across as absolutely and incomprehensibly inhuman.

You can put these in a story, of course. But I know authors who have written their own real-life experiences into their fiction . . . then have looked at the result, shaken their heads, and taken them out again. Because even when it's reproduced directly from reality, the actual effect feels not real; it doesn't produce the emotional result the author was going for. It winds up being distancing.

I particularly think about this in the context of writing war. Military campaigns of the past often included atrocities that, while they may be smaller than the Holocaust on a raw scale, were so pervasive and appalling that to put them on the page would seem like absurd, mustache-twirling villainy. Vlad the Impaler is said not merely to have impaled people, but to have gathered up three hundred Saxon boys and executed them either by that method or by burning, entirely because the leaders of the towns of their homeland were supporting his opponent in a civil war. And that's just one example! The routine cruelty of such rulers is so over-the-top -- and trust me, ol' Vlad was hardly the only one or even the worst -- that reading too much of it winds up numbing rather than horrifying.

What all of this means in practice is that sometimes the most important question is not "is this realistic?" but "is this effective for my story?" Is your reader likely to get the intended emotional effect from it, or are you better served by changing tactics and taking a different route to your point? Sometimes the answer will be that you want to stand your ground; you want to put that detail on the page, whether it's inspired by a historical factoid or your own personal experience, even if it means the reader may not receive it as you intended. That's a valid choice! At other times, you may decide that you prefer an alternative approach. You choose one instance of wartime horror to focus on in detail, rather than subjecting the reader to the full litany of atrocities. You pick at the edges of our current beauty standards or assumptions about masculinity, chipping away at cracks in that edifice rather than running at it headfirst.

. . . but maybe don't try to invent an alternate framework of humor the reader is supposed to find funny. I know we're writing speculative fiction, but some mountains might just be too steep to climb!

Patreon banner saying "This post is brought to you by my imaginative backers at Patreon. To join their ranks, click here!"

(originally posted at Swan Tower: https://www.swantower.com/2026/05/29/new-worlds-theory-post-the-past-is-a-foreign-country/)

One Piece mermaids

29 May 2026 10:00 am
mekare: Firefly: happy Kaylee with a colourful umbrella (Kaylee)
[personal profile] mekare posting in [community profile] anime_manga
For Mermay, my first One Piece art (I only recently checked out the anime after watching the live action adaptation).

Preview leads to my journal entry.

One Piece crew as mermaids family

Mermay!

29 May 2026 09:56 am
mekare: Firefly: happy Kaylee with a colourful umbrella (Kaylee)
[personal profile] mekare posting in [community profile] drawesome
Title: Mermay
Artist: [personal profile] mekare
Rating: G
Fandom: One Piece
Characters/Pairings: Chopper, Nami, Luffy, Zoro, Usopp
Content Notes: ink and watercolour on my new round watercolour pad.

Clicky Preview: One Piece crew as mermaids family

MerMay Twentyninth 2026

29 May 2026 03:28 pm
leecetheartist: Photo of me coming at the camera, in my colourful mermaid gear (Default)
[personal profile] leecetheartist posting in [community profile] drawesome
Title: Dolphin like mer
Artist: leecetheartist
Rating: Gen
Fandom: original work
Characters: Dolphin guy
Notes:


MerMay 29th of 2026.
I am booked in to the hotel of Swancon50 which opens officially tomorrow, so it's going to be very busy for me for the rest of MerMay, but I will get some sort of drawing in for the remaining days hopefully. This is the last one that is going to be of any quality I think, but who knows?
This dolphin like mer guy is on his way somewhere fast!
Drawn with the Kakimori and Rainbow Scarab Ink.


Dolphin like mer

Detail with sheen

Tail detail with  sheen
kitarella_imagines: Profile photo (Default)
[personal profile] kitarella_imagines
Chapter 8: The Cricket Match

Thomas gets to know Maurice a little, notices that he had a visitor staying overnight, and they both play in the cricket match.

~~~~

The next morning, the servants had it easier because the only gentleman at the house was Mr Hall. Thomas saw Simcox tutting to himself over the tea tray. “It’s not right,” he was complaining. “Mr Hall’s no gentleman and we have to wait on him hand and foot.”

“I'll take it up, Mr Simcox.”

The butler nearly jumped out of his skin. “Thomas! Don’t creep up on people like that, I've told you before.”

Thomas thought it wasn’t his fault that he could move as silently as a cat. Most footmen could, it was part of the job. And it had certainly suited him because he’d often caught people doing things they shouldn’t.

“Here it is. And watch yourself around Mr Hall.”

“What do you mean, sir?”

“Just…don’t spend too long in his room.” Simcox gave him a fierce look, then bustled away.

Thomas shrugged, and made his way up to Hall’s room. After he knocked, and said, “tea, sir,” there was a scuffling noise, then Hall said, “come.”

“Here we are sir, shall I put it on t’table?”

“Oh—yes please.”

Thomas drew the curtains, looked out of the window, and noticed the ladder that Alec had put there yesterday to climb up to work on the roof, had gone. He turned back and saw the naked, fair-skinned Hall pulling what looked like Alec’s scarf under the covers, but pretended he hadn’t seen it. And was that mud on the carpet by his foot? Someone must have brought it indoors, maybe through the window. He smiled to himself.

Read more... )
ravenna_c_tan: (slytherclaw)
[personal profile] ravenna_c_tan

It’s been a while since I wrote down a recipe, and I’m writing this one down so I’ll remember how to do it, and what I did.

OI read Annalee Newitz’s AUTOMATIC NOODLE (Bookshop | Amazon) while I was in Seattle at the end of last summer, and as it happens there are some great places to get biang biang noodles there. (I don’t think it’s a spoiler to tell you that biang biang noodles figure prominently in the book which, after all, has “noodle” in the title). Here in Boston, though, not that many places make them, and from what I can tell, four of the places listed in the food apps are actually all run out of the same ghost kitchen in Dorchester, which is quite far from me.

My craving for biang biang noodle crops up regularly enough that I decided I should just make it myself.

As usual, I looked up several recipes, tried them out, and found myself wanting to modify them immediately. So here’s my version. This served me and corwin easily with some leftovers.

The full dish includes three main components: the noodles, the meat topping, and the complex of condiments. Oh, and bok choy, which can be substituted with any other blanchable green vegetable you like: napa cabbage, chinese broccoli, even celery if you really like crunch.

THE NOODLES
Start by making the dough because it’s going to have to rest, which gives you time to prep everything else.

Read the rest of this entry » )

Mirrored from Cecilia Tan.

sovay: (Cho Hakkai: intelligence)
[personal profile] sovay
Non-Stop New York (1937) means it. Careening in under the 70-minute wire, it's as madcap a quota quickie as ever shot its heroine through a proto-noir's worth of miscarried justice into the aerodynamic future, stowed pluckily away on the transatlantically palatial Lisbon Clipper in hopes of beating the execution of the innocent tramp in the frame for the gangland slaying she witnessed one underemployed New Year's Eve as the ball dropped in Times Square for 1939. The plot bounces like a business traveler between New York and London. Its character turns suggest a centrifuge. If anyone talked at less than double time, it'd have the whole bill to itself.

No shade to a rogue's gallery of the Cinematograph Films Act 1927, the science fiction right on the curve of civil aviation is the scene-stealer in this flick. In the fall of 1937, there were no direct flights from London to New York. The age of airships over the Atlantic had ended that spring with the Hindenburg and the proven range of flying boats just barely established itself that summer between Foynes and Botwood. By the film's target date of 1939, however, there was nothing fantastical about the transatlantic passenger and mail service provided by Pan American's Boeing 314 Clippers and if the Short S.26 had not been commandeered by the RAF straight out of No. 3 Shop, it would have flown the same northern route for Imperial Airways. Without foreknowledge of the fire curtain of history, Non-Stop New York joined the industry in presuming a comparably luxe experience aboard the Southampton-docked "airmail" of Atlantic Airways: "London to New York, 18 hours, fare £65!" Even for Gaumont-British whose sideline in sci-fi was consistently nuts-and-bolts-ier than the cosmic proclamations of Things to Come (1936), it's an impressive extrapolation. The flight time would have to wait for the Douglas DC-4, but the pricing is about right for a Pan Am Clipper. Executed in a combination of gorgeously streamlined sets and six-engined models, the Lisbon Clipper has staterooms and promenade decks more befitting an ocean liner than even the swankiest of flying boats, but then again the 314s would boast the stewards and silver service of a first-class voyage and their interiors had been Deco-designed by no less a futurist than Norman Bel Geddes. The globally commuting future to which the interwar years looked forward was spacious and sleek and if the technological slingshot of World War II would render designs like the Dornier Do X or the Latécoère 521 as alien to the jet-accustomed eye as dirigibles, they were nonetheless, for a brief, achievable window, not at all dead-end real. The picture was praised at the time for its pinpoint zeitgeist. Even when it cranks up the action to the day-saving wing-walking of a disaster film, it remembers the vertical dimension of skyjacking and anticipates the reality of mid-air murder to the year. Frankly, its biggest stretch of the imagination may be its handling of a parachute, although it does know that no commercial airline ever issued them to its passengers like life jackets. I hope Hugo Gernsback saw it and plotzed. "And we've got seventeen and fourpence between us!"

Since none of this eccentric prescience would get anywhere as a story without a human cast to animate its light thrills, however, it's just as well that they are an ensemble delight beginning with Anna Lee as the pertly dashing chorine with an intransigent sense of justice and no fear of the police even after an unwarranted prison term; her repartee can give the Clipper a run for its cruising speed. "I suppose if a man had asked you back to supper, you'd have taken your little notebook and written everything down." John Loder as the romantically inclined inspector on the case isn't quite in her league even when he loosens up enough to be seen putting out his tongue at his own reflection, but fortunately she has a great, game charlady of a mother in Drusilla Wills and an accidental sleuthing partner in Desmond Tester, the nerdishly bespectacled and opera-caped prodigy who would so much rather be practicing the saxophone than the violin. "You give me your ticket and I'll swap it for two London to Leeds and a second-class to Vienna." Francis L. Sullivan as the architect of all their misfortunes may be unusually hands-on for an intercontinental crime boss, but he's justified by the bored delicacy with which he performs his signature trick of snapping a match to light and his Paraguayan impersonation which throws down the gauntlet to Mr. Paravicini while Frank Cellier capitalizes on bald-faced sleaze as the bookmaker whose taste for blackmail has taken him rashly aloft. "Cash down, you can do as you like. No cash, I'll be a father to the girl." Blink, but do not miss the Wodehousian aunt played by Athene Seyler, the seen-it-all steward by Jerry Verno, the moonlighting informer by Peter Bull, the kindhearted mouthpiece by James Pirrie, and the railroaded down-and-out by Arthur Goullet, all of whom take on their screen time with small-parts gusto. New York plays itself in newsreel shots, even if the representation of its woodnotes wild implies that lots of cities have an East End. The rest of North America is not forgotten when the action passes climactically over Newfoundland.

Whatever the resemblance of the divers-handed screenplay to its credited source of Ken Attiwill's Sky Steward (1936), as directed by Robert Stevenson Non-Stop New York is fast, fun, and photographed by Mutz Greenbaum, so even its earthbound scenes have an expressionist luster—the urban heartbeat of a neon sign, an uncomfortable memory in a half-scrubbed theater floor—and as soon as the suspense tightens aerially, Hitchcock missed several tricks never employing him. The art direction by Walter Murton is supposed to have consulted with Shorts and other aircraft designers on the realism of its lavish seaplane, which if true spectacularly paid off. I love the heyday of flying boats in part because it was a genuine wave of a future that on the other side of an air war had washed another way and this movie lifts off from it giddily. It may have looked one step ahead of the headlines to its first-run audiences, but it had actually wrapped production months before the Pan American Clipper III and Caledonia flew their great circle both ways over the Atlantic, while the Hindenburg was still flying lighter-than-air. I am not sure it should even count as hauntology, since the future it envisioned did essentially come to pass. I had never heard of it before this week. It looked no worse than a little flickery on TCM and therefore it bugs me that every copy I have found so far plentifully available in the public domain looks blown out or beat up or both. It doesn't have to be a lost classic to deserve a little polish and the appreciation due its deployment of Chekhov's saxophone mute. Lee sparkles whether she's keeping a weather eye on the propellers or putting a point-blank bullet point through her love interest: "And in the fifth and last place, you may be darned good in the moonlight, but as a policeman you're just awful." Give her that job at Scotland Yard already! This ticket brought to you by my airy backers at Patreon.

Eel Guy has a snack - coloured

29 May 2026 06:30 pm
mific: (Art brushes pencils)
[personal profile] mific posting in [community profile] drawesome
Title: Eel Guy has a snack
Artist: [personal profile] leecetheartist (lineart), [personal profile] mific (colouring)
Rating: Gen
Fandom: original work
Characters: Eel Guy, fishes etc.
Notes: This is the Mermay art for May 27th made by [personal profile] leecetheartist who created this excellent drawing as a colouring page for us to play with. I've done it digitally, in Procreate, after removing the background in Photopea. Click through for full size.

555



[syndicated profile] smartbitches_feed

Posted by SB Sarah

Smart Podcast Trashy Books Romantic Times RewindWe’re back in the time machine, heading to December 2012 to look at the ads and features from Romantic Times magazine.

This episode features a high amount of extreme zany. We’ve got so many treats for you this week, including the Steeple Hill Drinking Game, the reverse Colonel Sanders, Jude Deveraux’s thoughts on modern romance heroes of the time, shifters and more.

 

Listen to the podcast →
Read the transcript →

Here are the books we discuss in this podcast:

We also mentioned:


Ophelia: A trilogy series. an image of a hand in a rose colored diaphanous blouse holding some glowing herbs. There's a round gold ring on the middle finger, and trees and a leafy arch surrounding the image. at the bottom it says Ophelia in a white scriptThis episode is brought to you by Hatch.

You know how you finish a romantasy and you just need the next thing immediately? Hatch made that thing.

It’s called Ophelia — an original audio drama, inspired by Hamlet, where Ophelia finally gets to be the main character.

Forbidden magic, a crumbling kingdom, a slow-burn love triangle with a prince and his very guarded, very intriguing, best friend. The kind of love triangle where you will absolutely pick a side and you will not be quiet about it.

Book one of the three part series is now available for free wherever you stream, with new chapters dropping every Tuesday. For books 2 and 3, check out hatch.co/Ophelia.


Visual Aids? Of course visual aids! 

A close up of the cover image showing a red sleigh in snow but the tracks don't line up, and a stack of books fanning out from the sled that are clearly only 2 dimensional. it's a weird stock image, is what I'm saying

Nothing about this image makes sense: the sleigh didn’t make those tracks, and the books are stacked in a fan, and it’s all very weird the more you look at it.

An ad for a series where the titles are similar and all have the word THREADS but the background images make the word look different on each book. It looks like the titles are Severed Threads, Buried Freds, and Banished Shreds.

Every title reads differently – the last one looks like Banished Shreads?

An ad for Lisa Jackson's Unspoken, showing a white woman with dark hair blown over her face so her features are peeking out. Also she has extremely heavy shadow eye makeup perfect for the time.

Remember when Thriller = Heroine’s hair is in her face on the cover?

Also, that predecessor to a QR code is fascinating. Alas, it doesn’t work for me.

An IMperfect Proposal - a man in a cravat and waistcoat at a picnic with a woman with red hair and a historical gown while two children peek from behind a tree to spy on them

We had so many questions about this cover. First, what’s with the kid’s tie?

A close up of the kids. The girl is wearing a burgundy dress with a lace top, while the guy is wearing a ribbon tie like an Antebellum cosplayer.

This is the source of “the Reverse Colonel Sanders” because that’s kinda what he’s wearing.

A close up of the couple, where the male model looks a LOT like Jonathan Bailey from Bridgerton

Also that looks like Jonathan Bailey, right? Or if Jonathan Bailey and David Boreanaz had a baby?

Texas Wide Open by KC Klein - a woman with long legs and knee high red boots is stitting on a railing with her legs open and bent and her hands resting between the legs

I love the boots; I have questions about the title and the pose.

Bewitching the Duke by Christie Kelley. She's got a yellow gown and curly hair and a rather disgusted expression while holding open his coat to reveal one nipple. She's also looking at the reader. He's looking down at her and making duck lips.

Look what she found!!!

Margaret Mallory The Warrior - a man with photoshopped red wig on his head and multiple armbands holds a sword. HIs abs are like long cucumbers laid sideways

We had some questions about this cover, too. Why so many arm bands? Whose hair is that, or was that before it was put on his head?

And his abs remind Amanda of this:

An image of the underside of a sting ray A close up of his sea cucumber abs

The reluctant Santa - a long haired dachshund wearing a santa cap and looking annoyed. There are tiny angel and devil drawings at the bottom. The ad reads, Ho! Freakin HO HO! COlin McDemott doesn't want to participate in Christmas or fatherhood.

The dog, the angel, the devil – it’s all quite a vision.

Love and Death in the Big Easy - a somewhat smirky looking model with a beard standing in front of a French quarter wrought iron balcony the caption reads Drake Martin, the Yorkie shifter returns with a new shifter. A Cat, Kady Martin, Drake's wife, has a new alter ego as tabitha, the Russian Blue Maltese - which is a cat, btw - They battle a new monster in town.

These are some (not great) pictures I took of a party celebrating the launch of Tiffany Reisz’s book The Angel, a party which was featured in this issue.

A gloved hand cutting a cake with an image of Tiffany Reisz's book The Angel Tiffany Reisz, Logan Levkoff, and Lyss from Diva Moms standing in front of some mannequins displaying boutique clothing. A pile of domination sex toys including whips, paddles, and restraints, alongside a bouquet of white roses on a patterned ottoman

And this was the back cover image:

The back cover image is a stock photo used in an ad for Loose Id, and the guy is wearing a slouchy beanie and looking extremely smarmy and smirky.

That guy’s expression and posture was giving us the jibblies.

If you like the podcast, you can subscribe to our feed, or find us at iTunes. You can also find us on Stitcher, and Spotify, too. We also have a cool page for the podcast on iTunes.

Thanks to our sponsors:

More ways to sponsor:

Sponsor us through Patreon! (What is Patreon?)

What did you think of today's episode? Got ideas? Suggestions? You can talk to us on the blog entries for the podcast or talk to us on Facebook if that's where you hang out online. You can email us at sbjpodcast@gmail.com or you can call and leave us a message at our Google voice number: 201-371-3272. Please don't forget to give us a name and where you're calling from so we can work your message into an upcoming podcast.

Thanks for listening!


Podcast Sponsor

Support for this episode comes from The Undergrads: Student Union by #1 New York Times-bestselling author Julie Murphy–a sexy new rom com about a college marriage of convenience that goes way beyond chemistry 101…

Clover Rowan Walsh knows The Plan:

  1. Get a full ride to her dream school, Wexley University.
  2. Conquer the school of business.
  3. Say goodbye to the paycheck-to-paycheck life she and her mom have known for years.

There’s just one hiccup. With the first semester rapidly approaching, Clover learns her housing grant has fallen through. But a loophole presents itself: Married couples can live in the dorms for the price of one student. Clover is willing to sacrifice the sanctity of marriage…even if it means proposing to the one person she swore she’d never speak to again: Bennett Andrew Graves.

Bennett can’t refuse Clover, the girl he grew up with (and whom he completely devastated years ago). He owes her this, but that doesn’t change the fact that these two can barely carry on a conversation without getting at each other’s throats. Forget about sharing a dorm—much less one bed.

But as Clover and Bennett hide the true nature of their marriage, they find that playing house isn’t all that bad–especially with certain marital benefits in the mix. In fact, Clover and Bennett are soon forgetting the most important part of their fake marriage of convenience . . . that it’s supposed to be fake.

With tropes like forced proximity and friends to enemies to lovers, you won’t want to miss this first book in a new trilogy of romance novels that follows a group of girls as they navigate love, friendship, and new adulthood.

Ali Hazelwood calls The Undergrads: Student Union “one addictively swoony book.”

Available now wherever books are sold!

Remember to subscribe to our podcast feed, find us on iTunes or on Stitcher.
tcpip: (Default)
[personal profile] tcpip
A couple of days ago, I was informed that my former partner, Kayo, had died in her sleep the previous evening. We had been friends, albeit mainly at a distance, for many years. The random moments we had spent together were frozen in time, capturing lightning, light, and colour. In the midst of COVID, I managed to rescue her from being trapped in Thailand as international flights were being cancelled, and got her on the second-last seat of the last plane leaving the country. Months later, we formed a relationship, a partnership, became engaged, purchased a home, and made plans for a future life together. Alas, it didn't work out as expected. Kayo was a person who could show an incredibly deep love, express delightful kindness to others (even and especially to random strangers), and really had a beautiful heart. But, it must be said, she was also a person with emotional and affective instability; in the four years of our partnership, she broke up with me five times (I literally lost teeth over this), and when it became clear that I wasn't going to take her back for a sixth attempt, we parted company and not entirely on the best of terms.

One cannot blame her for this; Kayo's brain was wired very differently as a result of trauma-induced CPTSD, and any recovery from such a condition is difficult, given the profound neurological changes to the amygdala. For my part, I believe I consistently went well beyond reasonable expectations to be helpful, generous, understanding, and to provide a point of stability in her life. Certainly, I educated myself a great deal on mental health issues and, following the completion of a psychology degree, was invited to do postgraduate research by Auckland University. Kayo would tell me that, despite my own fairly rough upbringing, my grounding was "inspirational", and that I was "compassionate", "dedicated", a whole range of other positive descriptors of a different nature; the most important being that she felt safe, secure, and that all her many fears about the world would melt away in my company. I don't think anyone has provided me with such positive and passionate affirmations as she did, and she was one of the few people who could shake me out of a persistent depressive disorder manifested in my own life as driven dysthymia, and that alone speaks volumes about the sort of person she was. It was appropriate that her consistent, decades-long nom de net was a science fiction character who saves the planet through light and love.

There are many wonderful memories of my time with Kayo. We had a couple of delightful nature-immersed regional holidays, innumerable picnics in the best of the local parklands, we would sing whilst preparing food together in the kitchen, dance with our respective cats (who must have thought we were quite mad), we engaged in detailed speculations both practical and ridiculous (such as how we would steal the Star Sapphire of India), and we would study together providing motivation and ideas; her assistance in my MHEd thesis at the University of Otago was especially notable and is recorded for all history. But all of these sweet memories are in the past tense and can never be repeated or elaborated on. I really feel for her family at the moment, especially her parents and her brother, who absolutely adored her. For my own part, I must thank those who have expressed sympathy and care to me, all knowing that Kayo was such a big part of my life. Valedictions, Kayo, there is some small solace for all of us knowing that you are at peace: "Dieu réunit ceux qui s'aiment".
[syndicated profile] askamanager_feed

Posted by Ask a Manager

It’s four answers to four questions. Here we go…

1. Poop emoji in a rejection email

I enjoy jokes at work, and am partial to self-deprecating humor, but recently I got a rejection email from a company that has a grinning poop emoji in the subject line.

Am I crazy for thinking that emoji just doesn’t belong in any bad news email — especially one that people can take personally or can be hard to hear, like a rejection? The job market sucks right now.

To be fair, they’re a company that does overtly use potty jokes in their marketing communications and even in the HR materials I read, so I wasn’t wholly surprised to see it, but it seemed, well, tacky. I don’t need an emoji to find the 💩 in that email!

Am I out of touch? Does consistent corporate branding take precedence over a bit of respect? Should I be grateful to even get so much as an automated poop emoji from companies these days? I spent over an hour applying for that job on my weekend!

You’re not out of touch. A poop emoji doesn’t belong in a rejection email. It’s making light of a message that the recipient is likely to take far more seriously and might be deeply disappointed by. It’s just the wrong tone for the message.

It’s does make it better that it’s from a company that has built a lot of their marketing materials around potty jokes (is this a poop-related company?! I must know) because it’s consistent with their branding — but even so, it doesn’t belong in a rejection email, just like it wouldn’t belong in a message they were sending announcing an employee’s death (obviously that’s much further along the continuum of insensitive messaging, but it’s still part of the same continuum).

To be clear, some people might enjoy it! But enough won’t that whatever’s gained by it is outweighed by what’s lost. 💩

2. Is it rude to ask people to move when hot-desking?

I work for a hybrid organization that hot-desks. Each team has a core day when they must be in the office. Desks are set up in sections and teams usually sit together in “their” section on their core day. Sitting with my team is what makes in-office days valuable because of the collaboration.

Recently I came in on our core day to find someone else sitting in our section, but there was still enough space for my team. Another person from their team came to join them (not enough space anymore) and I asked that person if they could sit somewhere else, since my team would be in and sitting there. They said sure and went over to a different section.

My manager then told me that I couldn’t tell people to move and because my team gets in later in the morning because they have kids, they have to just deal with whatever desks they can get and that she would be really annoyed if someone asked her to move when they got in later than her.

For me personally, I wouldn’t be bothered if I was in a team’s section on their core day and they asked me to move so they’d have enough seats. Am I off-base here? Is it inappropriate/rude to (politely) ask someone to move so your team can sit together when hot-desking?

Important info: I’m at the same level as the person I asked to move. The desks are not all set up the same; our section is set up according to my team’s needs and the other sections aren’t (and we’re told to just request the office managers set them up if we need to use another desk). They weren’t using the specific set-up of our section.

I don’t think it’s particularly rude in a vacuum, but it depends on the culture of your organization. In offices where desks are first come, first served and you can’t reserve desks for others, it might feel rude. In other orgs, it would be no big deal, particularly since the desks you were claiming were set up in a specific way for your team (and particularly if you explained that).

Since the feedback came from your manager, I’d figure she’s probably right about the general expectations in your particular org — although who knows, it’s also possible these are just her personal feelings and most other people there don’t care.

3. Can I exercise at my desk in an open office?

I’ve started to develop knee problems over the last few years, and have been advised to focus on strengthening the muscles around my knees to prevent further problems. Some of the recommended exercises are simple and low-impact enough that I can do them while sitting at my desk (like repeatedly extending my leg straight out from a seated position). However, I’m a bit self-conscious about doing them at work in the open office where the desks are not enclosed. I generally try to do them when nobody is close enough to see to avoid distraction, but am curious whether this is generally considered acceptable since I haven’t seen others doing it. How would you approach this?

The big things you want to think about are (a) whether you’re going to look like you’re not focused on work for long stretches and (b) whether you’ll create a lengthy visual distraction for people around you who are trying to focus.

Something like repeatedly extending your leg while seated should be fine to do, even in an open office (as long as you’re not going to, like, trip someone who’s passing by). If your leg mostly remains under the desk and you’re still in your chair, exercise away. Things that would be more of an issue in many offices: your leg on the desk, you on the floor, martial arts stances.

4. When in an interview process should I ask about working remotely?

I graduated last year and I just landed an interview for a research position I really, really want. It’s a term-limited role for two years, and I’m planning on using it to my advantage when applying to graduate schools if I get an offer. The research fits into the specialty I studied during my undergrad, and as a bonus, it seemingly pays better than other research positions offered by other universities. (That’s not to say it pays particularly well — but this is to be expected for American universities facing funding crises under the current administration.)

The problem is the commute. The commute is 1 hour and 20 minutes one-way on a good day. I was offered the interview so I’ll go, and I’m pretty sure if I get a job offer from them, I won’t get a better one from anyone else because other universities are at a similar distance to me and pay less. (I don’t have any other offers at the moment, so this point is moot.) I felt comfortable applying to this position since it was advertised as a hybrid role, so I figured I could work from home and head in a few times a week, but I learned from the initial phone interview that they plan on making it a fully on-site role in the future.

But regardless of whether the position is on-site or hybrid, a lot of my duties can be done remotely. How and when should I bring this up, and is there a way to negotiate for me to work the schedule I’d prefer? I thought I might have some leeway because it’s a limited role, I won’t get opportunities for advancement because it’s intended for people taking a gap year, and it was advertised as a hybrid role.

I really liked the project manager from the phone screen I had with her the other day, but I don’t want to waste their time in case I can’t do the commute. That’s the only thing that would prevent me from taking this job. I’d move, but at the moment, I have no money since I’ve been unemployed and living at home since I graduated. Do I have any options?

If this weren’t a two-year, term-limited role, I’d tell you it’s a bad idea to try this because even if they agree to full-time remote, they could end up concluding it’s not working for them and you have to come in after all, or it could lead to you not getting the same opportunities and consideration as other people who are there on-site. Frankly, I’d still have some of those concerns; it’s two years, not two months, and that’s plenty of opportunity for things to go wrong. More on that here.

If being on-site is absolutely a dealbreaker, though, you can certainly ask about it. I’d do it sooner rather than later so that you don’t waste your or their time going through their process if it’s not something they can be flexible on. You could say, “I’m really excited about the position but because I’m about 90 minutes away it would be tough to work on-site five days a week. Would you be open to keeping the role hybrid?”

But also … if you’ve been unemployed since you graduated and aren’t feeling great about other prospects, moving closer to this job might be the most practical thing to do.

The post poop emoji in a rejection email, is it rude to ask people to move when hot-desking, and more appeared first on Ask a Manager.

[syndicated profile] arstechnica_feed

Posted by Eric Berger

On Thursday evening Blue Origin attempted to test fire its massive New Glenn rocket at its Florida launch site, but something went very wrong after engine ignition. The super heavy lift rocket exploded in spectacular and disastrous fashion.

The static fire test was being filmed by NASASpaceflight.com on its Space Coast Live feed, which captured video of the conflagration that followed destruction of the booster. The first stage of New Glenn, fueled with methane, produced a massive fireball above the launch site along the Florida coast, LC-36A. It is possibly the most dramatic and powerful rocket explosion since the Soviet Union's N1 rocket was destroyed during a launch attempt in 1969.

Read full article

Comments

whether the weather be cold...

29 May 2026 09:09 am
tielan: a gold-laced black wyandotte: goongbao chicken (garden03)
[personal profile] tielan
Rain brings out the ants. Ugh. Lids of sweet things need to be screwed on tightly - or else.

Also, it's actually quite difficult to deal with the rain after so long of hot and dry sun.

That said, it's not going to last. Super El Nino, as most of us have heard. Which around here means more hot-and-dry-and-bushfiery. Eep. Yes, it's raining now, but that rain will produce a lot of tender green sprouting, which will dry off as the months go on and when spring-summer hits with its heatwaves and high temps...

Oof.

Jam packed day

28 May 2026 10:41 pm
cornerofmadness: (Husk smug)
[personal profile] cornerofmadness
Seems like this post needs Husk as I'm now at the casino/hotel (and have already had cocktails and lost money)

So I got to sleep in some today because nothing opens before 10 AM. I checked out of the Sheraton and rolled out for Independence MO. Now if I knew this nearby town was so stinking cute I would have picked a third place (or at least planned to take the horse drawn carriage thing).

I went to Vaile Mansion It's a gorgeous home (that popped the dream bubble of owning an old home when I saw the 1.5 million dollar repair bill it's working on). Vaile was a lawyer/vinter whose wife (as these stories almost always go) died moving it here and he never finished the third floor billards/ballroom. It went to a lady lawyer next, his friend because his family tried to break his will giving it to a girl's college. It took so long to break the will his family was out of money and sold this house for a buck.

And SO much like Marietta's The Anchorage, they kept it up as a sanitorium for the wealthy and then a nursing home until the mid 1980s and unlike The Anchorage it didn't sit vacant long.

This place is filled with chocolate marble fireplaces, every ceiling is a painted mural. Sadly all the original furniture is gone (sold to pay that lady lawyer) but they tried to replace it as close as possible (the auction list was in the house so they knew what was there) There were tons of hair memento Mori in the house from the hair museum which I had wanted to go to but couldn't find times. Turns out even though the webpage is still there, the museum is not. The owner died in her 90s after covid and her daughter has sold off all the hair pieces. I didn't want to leave this place.

From here I went to the historic jail
. It's in that stinking cute down town and what fun was this? It's thought the limestone prison was built in the 1870s but they're learning it's probably the 1850s and the brick part is 1907. They have a little one room school house that was moved there years ago and every 1st grader in their school district goes there for a field trip to do class like they would have then. Sounds fun. The brick part of the jail is a little museum of local h istory (I need to look up what the priests of pallas was).

The jail was interesting. I was getting the cold, ghost chills standing there only to find out I was directly under where they dropped the prisoners to hang them (not a lot of hangings there mind you but still). Jesse James' brother had been imprisoned there but he was so well liked/folk hero status that they let him Al Capone that prison cell (before Al was probably even born) filling it with his personal stuff and he had it to himself. Most of the people were jammed in there 3 to a cell.

However during the Civil war, they had up to 11 women jammed in per cell. Most of my civil war travel (which is min.) has been in the north. Until I was in Louisville and now here, I didn't realize that the Confederate sympathizers had their land grabbed and they were imprisoned if they didn't leave. Tried to get my dad a book on this but the only one they had was a skull buster that even I couldn't see the print. Did get me a ghost book and some true crime book because I need books and make good choices. Also the kid running the cash register saw my Hazbin purse charms and he was very excited.



From there I went to the John Wornall Majors house but I missed the tour and didn't want to wait 40 minutes for it since I wasn't feeling it. I did walk around and read the placards. I did appreciate they were honest about the house's entrenchment in slavery (also ditto the jail which was built by slaves)

But since it was only like 230 I didn't want to go to the hotel because I couldn't go in for another 2 hours so I went to Nelson Atkins Art Museum. Turns out if you have a handicapped tag you don't have to pay the 20$ to park. Woot. So I sprung for the Alphonse Mucha exhibit which I really wanted to see (but if I had to pay for parking it would have been a 45$ ticket for it all)

The Mucha thing was SO nice but since my camera has a light (not a flash) I couldn't take much in way of pics because the docent was right up my ass. The flash is off, I swear. Wanna see?!? So I didn't get a shot of this but I'm putting it here, they had a bronze light fixture of Sarah Bernhardt's head he'd designed. To be honest I know very little about Sarah and had NO idea that she played several male roles including Hamlet.

I'm also not sure I knew just how much of Mucha's work was for calendars and ads. They had a whole room with 60s-70s rock album cover art inspired by his work (Grateful Dead, Pink Floyd) and I didn't know about the Slavic Empire set of 20 paintings he did at the end of his life that were hidden from the Gestapo because they inspired Slavic patriotism

From there I went to the main art area (the whole wing was closed where Mucha was except for that) This is the largest art museum I've been in I think. It was one little room after the other. I was so happily lost in this place. It was getting on 430 so I hit the gift shop wondering why people were still checking in when everything closes at 5. Had a gorgeous mucha umbrella and scarf (45 and 75$ respectively hard pass) and went for the car only to realize Wait it's thursday! It's open until 9 so I go back up to the second floor that I hadn't had time for. But there is art in here from Egypt to early 20th century (I assume the rest is in the Kemper modern art museum)

I head off to find the casino. I didn't realize it was SO far to the north west. I'm sure it wasn't super far (I remember google directioning all of this so I wouldn't make a bad choice) My GPS tried to murder me in a roundabout repeatedly. Americans suck at round abouts. I pulled out, no one was there (I have sensors on this car soo I know that there was no one there) and this guy comes whipping around SO far he nearly hits me and the guy in front of me while he's blowing his horn like he's not the idiot. When the GPS tried to make me go around a third time I said fuck it, I'm going straight and you find me another way there. It did and I have no idea how it didn't figure that out from the get go.

The argosy is done up like a roman street. Nice room, fancy bathroom BUT the shower is designed for wheelchairs so water runs everywhere, the rain shower head is the only one that works and so far I can't get it to be hot water. eye roll. I hit a little jackpot put it all back in and now I'm quite tired. no pictures yet. Maybe tomorrow.

Damn insurance companies

28 May 2026 10:22 pm
silver_chipmunk: (Default)
[personal profile] silver_chipmunk
I got up this morning around 11:00 and started to get my breakfast ready, when my phone rang. It was the CPAP machine vendor, another AI but this time saying it could put me through to the scheduling department. So I did that and got a real person.

We got through the preliminaries, and then she informed me that there was a note on my record that my insurance didn't cover it. It would have to be out of pocket and that would be around $800 plus the supplies. So I said forget it.

Then I made breakfast and coffee, and called my insurance company. It turns out there's an optional rider that I don't have. I need to get the rider added to my policy and then it will cover it. To add the rider, I have to call the Office of Labor Relations. She gave me a number to call.

That number didn't work. Rang about ten times then hung up automatically. So I looked it up online and got a different number that put me through to a phone tree. It said to dial 0 for a representative so that's what I did.

I got put on hold and finally got the message that the lines were so long that I should press 1 for a call back, which would come sometime in the next three business days(!).

So that's what I did. No call back yet.

I texted the Kid to tell her everything. She texted back and was supportive.

So that left me pretty pissed off, so I decided what to do for the rest of the day. I lay down for awhile, but finally decided to go out. So I showered, and washed my hair, and dressed and went out to the Busy Bee.

At the Busy Bee I got my usual lavender cream latte, and settled down to read The King's Name. Then I saw my reading glasses were broken, the thin rim of the frame that holds the lens in on the left side. It looked fixable though, so I just was careful with it not to let it get worse broken. or let the lens fall out, while I read there. It worked well enough, and eventually I got a smoked salmon sandwich, which comes with a nice salad.

I stayed reading until 5:30, then went home and got out the glue and carefully glued the frame. Then I puttered on the computer. [personal profile] mashfanficchick called, and we talked for a bit.

At 7:00 I Teamed the FWiB and we had a very nice time til 8:45, with a small break at 8:30 for me to call Middle Brother. He is fine, and had a great time at his barbecue on Memorial Day, plus he went to McDonald's yesterday for a McFlurry.

After we finished talking I inspected the glasses, and the glue seems to be holding. I'm going to get another pair anyway though, I had meant to get a spare set, and these can be them now.

I went to the bedroom and read more of The King's Name, until pet feeding time, when I fed the pets and started here.

[personal profile] mashfanficchick just called briefly. But now it's time for bed.

Gratitude List:

1. The FWiB.

2. The solution sounds as though it should be easy, though possibly expensive.

3. The Busy Bee.

4. Lovely weather to walk there.

5. Good books.

6. Middle Brother had a good time Memorial Day.

Recommencing

28 May 2026 10:28 pm
nineweaving: (Default)
[personal profile] nineweaving
Over the years, I've seen some fabulous academic regalia—a carven staff like a wizard's, a fetching little number in swimming-pool blue with a gumdrop-shaped cap fringed in layers—but this afternoon's sighting was a stunner: a Maori feather cape. Gorgeous!

Nine

Daily Happiness

28 May 2026 07:27 pm
torachan: anime-style avatar of me (me as a doll)
[personal profile] torachan
1. I worked from home today and got a lot of Jasper snuggles in return. He was very happy to have me home. I had one meeting where he timed his snuggliness just perfectly and was on my lap the entire time (it was just a listening meeting, so his being on my lap didn't interfere with anything).

2. I had assumed all the bike accessories I ordered would come together, but apparently not. I ordered one side mirror, two back baskets, and one front basket, and they seem to have all been shipped separately. The front basket arrived today, though, and I got that installed on Carla's bike. The other three just say they've been received by the shipper with no further updates, so I have no idea when they'll arrive, but at least Carla now has a basket!

ETA: Literally as I was typing this I just got a shipping notification about the two back baskets that says they're on their way. With the front one, I got it the day after getting that email, so maybe they will come tomorrow!

3. It's been pretty chilly and overcast today. We were supposed to maybe have rain this evening, but that never materialized. Still saying we might get some overnight, but we'll see.

4. Ollie likes snuggle time with Jasper, too, though Jasper is not as enthused about Ollie snuggles as he is about snuggling with me and Carla.

Book 46, 2026

28 May 2026 09:16 pm
chez_jae: (Books)
[personal profile] chez_jae
The Ghost in the Teacup: A Brambleberry Witches MysteryThe Ghost in the Teacup: A Brambleberry Witches Mystery by Clara V. Pendelton

My rating: 2 of 5 stars


View all my reviews

Polished off another ebook last night--The Ghost in the Teacup by Clara V Pendleton. It’s from the “Brambleberry Witches” series, I guess. The main character is Eliza...most of the time. Read on, MacDuff!

The premise of the story is that our intrepid heroine, Eliza/Clara (who may be a witch) has come into possession of a haunted teacup. The ghost in the cup, who may or may not be Beatrice, asks for help, and Eliza obliges. The first two chapters were delightful. We met Eliza, got to visit her cozy tea room, and experience the haunting. She then enlists the local Coven’s help, and they were eager to visit Beatrice’s garden in search of a key. Intriguing! But! The plot derailed from there.

Spoilers!!! )

Reading this should have been aggravating, but I am actually far more disappointed. The first two chapters had such promise! I was dismayed that the plot wandered off after that and never got back on track.

Favorite line: Eliza had gone looking for dried mint. She had returned with six antique teacups. It happened.

I’m convinced this was AI generated; no human author could have effed up so badly. What started out as (at least) a solid four rating has dropped to a two. I’m giving it more than one, because I really did like some of it.
melagan: John and Rodney blue background (Default)
[personal profile] melagan posting in [community profile] sga_saturday
Falling Into Place-A soulmate AU (824 words) by melagan
Chapters: 1/1
Fandom: Stargate Atlantis
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Rodney McKay/John Sheppard
Characters: John Sheppard, Rodney McKay
Additional Tags: Soul Bond
Summary:

John's pov in the fic First Touch - A soulmate AU

Five soulmates table

28 May 2026 09:48 pm
melagan: John and Rodney blue background (Default)
[personal profile] melagan
I finished!


Table #10 - Touch
01. first touch 02. touching your soulmate leaves fingerprints 03. touching your soulmate feels good 04. touching your soulmate lets them feel what you're feeling 05. you can only touch your soulmate


This challenge intrigued me from the start. I'm so glad I was able to finish it.

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